hi.
does anyone know the john fahey trio? does anyone know the label one-hit
records? does anyone know where i can get the john fahey trio on one-hit
records.
thank you, thank you all.
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Whoops - meant to send to the list. Apologies..
-----Original Message-----
>From : alastair(a)pretentious.co.uk
To : chris selvig <selvig(a)sonic.net>
Date : 27 May 2002 14:26:45
Subject : Phill Niblock
>Chris Selvig mentioned:
>
>>Phill Niblock's excellent ýYoung Person's Guide to Phill Niblock,ý
>
>I got this through the Wire many moons ago, very late, with a letter promising a fully informative booklet which they were having production problems with. Never got it - did anyone?
>
>The music is worth whatever you pay for it, but a little more information would have been nice...
>
>Alastair
>
>
>--
>Personalised email by http://another.com
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there's also the Hellborg/Shrieve/Buckethead - Octave Of The Holy
Innocents.
i seem to remembet that being a little outside the 'normal' Buckethead
realm....it was played on acoustic guitar..which was kinda cool...tho
now that i'm thinking of it (it's been a while since i've listened to
it) it might have been the same bazillions of notes.
gotta pull that one out tonight.
>> Oh, also features Buckethead who is actually amazing on this record.
>> If this was the only record he had ever made, he would have become a
>> hero. Unfortunately ho chose to poison the world by doing the same,
>> and the same, and the same, over and over and over and over, and over
>> again. And again.
>
>As you say, Buckethead usually does the same thing again and again but
>the Praxis album, Transmutation Live, recorded in Zurich is really
>great! Four 15 mn songs with themes from the album Transmutation but
>played faster and with great scratch from the Invisible Scratch Pickles.
>I really enjoyed this album. Totally different from his other ones. What
>he did with Les Claypool (from Primus) was also good and quite
>"Primus-influenced"...
-
--
Mark Saleski - marks(a)foliage.com | http://www.foliage.com/~marks
"Music is spiritual. The music business is not." - Van Morrison
Herb Levy wrote:
>I'm pretty sure that the Wire never printed anything like notes for this >set.
Oh well. Thanks for the link!
And by the way...I'm off to New York tomorrow (Weds) for a week. I'll definitely be at the Zorn event at the Merkin on Saturday and the Derek Bailey/Susie Ibarra gig (both sets?) at Tonic on Friday and possibly other gigs during the week. If you see a balding Englishman in his early thirties toting a Rough Trade record bag and looking slightly bewildered, come over and say hello.
Alastair
--
Personalised email by http://another.com
the given lineup lists Marc Ribot for Dave Douglas:
11pm: Masada with John Zorn, Marc Ribot, Greg Cohen {program sez Sebastian
Steinberg} & Joey Baron
I think this doesn´t fit with the CD...
Andreas
np: Art Ensemble - Complete Live In Japan (DIW)
btw I´ve seen an advertising of a LP reissue: Art Ensemble - Chi Congo on a
label called PAULA. This may be for some interest...
>When I look at this closer, I'm not sure... the report from THIEVES QUARTET
>doesn't match with Masada recording. Besides, they would play THIEVES
>QUARTET from the filmworks, not Masada. Masada was playing on 22 September
>1993:
>
>So, not "1" is missing, but "2". It was Sept. 22.
__________________________________________________________________
> Artur Nowak [arno at emd dot pl] www.emd.pl/muzyka
> NP: Masada First Live
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Hello guys.
>Is it just that they are heavily influenced by something great (NC), that
>came before them,
Of course not, its more like: How interesting would a new band called
Porno Pistols playing 3 chord punk versions of God Save Prince Charles
be? Enough is enough.
This is just my personal opinion, Im happy that others seem to like
Estradasphere.
>or did one of them sleep with your girlfriend? ;-)
Ah, girlfriend The words sound so sweet in my ear, yet so far away . ;-)
>You cannot deny their skill as musicians.
Do you mean their chops? Or is it what Ken calls schtick and makes him
want to kill people?
For me a good musician is somebody who plays good music. Estradasphere are
perhaps good in the sense of a professionel studio musicians or a David
Sanborn backing group. Id ten times rather listen to Naked City stumble
through Demon Sanctuary than Estradasphere play a highly skillful
version of their lame what-ever.
>I have never heard a band that is 100 % original. If you investigate well
>enough, you can find someone who's done it before. I mean, you don't listen
>to Miles davis or Charles Mingus because they are original.
I agree, but bringing this up in the context of Estradashpere is, well,
fairly out of proportions to say the least.
>One of their great abilities is to copy Mr. Bungle note by note. Of course
>nobody's 100% original but this...
I agree. They are probably ripping off Bungle more than they are Naked City.
Why Spruance and other Bungle people hang around Estradasphere I have no
idea, but I guess they liked to be kissed in their asses. Or maybe they are
just really nice guys, who knows.
Cheers.
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I agree that estradasphere is a great band, one of the best to come out in a
while. You cannot deny their skill as musicians. I have never heard a band
that is 100 % original. If you investigate well enough, you can find someone
who's done it before. I mean, you don't listen to Miles davis or Charles
Mingus because they are original. You listen to them because they have the
skills and can write damn good music, even if the style is borrowed. To me,
a great musician takes something done before and make it their own. You use
an old style so people can see (or hear, rather) that you know what you are
doing and have the skills, then you make it your own, put your own little
flare on it to express what YOU feel while showing your influences so the
listener can know where you are coming from. Your people then identify and
become comfortable, then you kick them in the ass with your own voice and
attitude. I mean, i cannot explain the exhileration I felt the first time I
heard "King Crab Battle".
I also agree that Estradasphere studio albums (especially the last one. they
need to tone Trey Spruance down quite a bit) are way over produced, and if
that was the only thing I had heard of theirs, I wouldn't like them very
much either. They shine in a live setting, and being in the studio doesn't
do them justice. There are quite a few bootlegs floating around so if you
can get a copy of one, it would be well worth it. If you wanna trade for a
couple or so, I'm open for it.
>From: Rich Williams <punkjazz(a)snet.net>
>To: zorn-list(a)mailman.xmission.com
>Subject: Estradsphere (was: Sacrifist)
>Date: Sun, 26 May 2002 18:02:42 -0400
>
>>
>>Now, Naked City live, THAT is the stuff!!! Back then, this stuff was
>>really cool and fresh. I mean, it was actually something. Now it
>>seems every damn you hipster band, tries out this stuff. A bit of
>>hard core, a surf cover etc. It's pointless. Is there a worse band
>>than Estradasphere, I'd like to know about it.
>
>
> Wow, are you(we) really that jaded?. I find Estradasphere
>BETTER than 90% of the so-called indie bands out there. Really fun to
>see live, though their records are somewhat over-produced. Is it
>just that they are heavily influenced by something great (NC), that
>came before them, or did one of them sleep with your girlfriend? ;-)
>
>_______________________________________________
>zorn-list mailing list
>zorn-list(a)mailman.xmission.com
>http://mailman.xmission.com/cgi-bin/mailman/listinfo/zorn-list
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I'm pretty sure that the Wire never printed anything like notes for this set.
This compilation is being re-issued by XI some time,I think before
the end of the year. They've never released a disc without some kind
of notes, so that release will probably have more info, some of which
may be available online at <http://experimentalintermedia.org/>,
where you can find information about lots of other recordings and
performances in downtown NY going back into the mists of time long
before the Knitting Factory was whatever the heck it is now.
>Message: 11
>Date: Mon, 27 May 2002 14:29:29 +0100 (BST)
>From: alastair(a)pretentious.co.uk
>To: chris selvig < selvig(a)sonic.net >, zorn-list(a)mailman.xmission.com
>Subject: Re: Phill Niblock
>
>------=_Part_47576_2011101.1022506169896
>Content-Type: text/plain; charset=ISO-8859-1
>Content-Transfer-Encoding: quoted-printable
>
>Whoops - meant to send to the list. Apologies..
>
>-----Original Message-----
>From : alastair(a)pretentious.co.uk
>To : chris selvig <selvig(a)sonic.net>
>Date : 27 May 2002 14:26:45
>Subject : Phill Niblock
>
> >Chris Selvig mentioned:
> >
> >>Phill Niblock's excellent =FDYoung Person's Guide to Phill Niblock,=FD=20
> >
> >I got this through the Wire many moons ago, very late, with a letter promi=
>sing a fully informative booklet which they were having production problems=
> with. Never got it - did anyone?=20
> >
> >The music is worth whatever you pay for it, but a little more information =
>would have been nice...
> >
> >Alastair
> >
--
Herb Levy
P O Box 9369
Fort Worth, TX 76147
herb(a)eskimo.com
ken believes with all his hearr:
>One massive missed opportunity was not utilizing the
>25 British musicians of Tapestry in other concerts.
>For a start there could have been a Dunmall-Rogers duo
>concert, or a way for those two to play with a drummer
>plus/and or another musician such as saxophonist Simon
>Picard.
i think such combining and recombining, however, would be pretty counter to
victo's usual programming. i won't speculate as to why, but it seems victo
present pretty clear and unchanging festivals, unlike the special guest and
late night jam fetes more common in strictly jazz festivals.
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