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clusone/beach boys
by Fastian＠aol.com 29 Apr '04

29 Apr '04

In a message dated 4/29/04 10:17:01 AM Pacific Daylight Time, Mailer-Daemon(a)mailman.xmission.com writes: << >>The other day someone told me they had heard of an album of Beach Boys covers done by the Clusone Trio (or members thereof, possibly with some other people), he wasn't really sure of any details... anyone know what album he's referring to? Julian.<< In another of Michael Moore's bands, Available Jelly, they cover "Warmth of the Sun" and "Catch A Wave" on their cd "In Full Flail" which was released on Ear-Rational. This might have been rereleased on Moore's Ramboy label, I'm not sure. On this release its just a quartet with Eric Boeren, Gregg Moore, and Michael Vatcher. Many of their other releases have a more expanded lineup. Cheers, John Threadgould

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EM in Brussels
by kevin cornish 29 Apr '04

29 Apr '04

Hi I just got back from Belgium after the Electric Masada gig Baron and Wollensen are incredible together Ikeu Mori was disturbing :) and J Z was in control. my only critism was it was short Total gig time 1:30 (with two encores) managed to grab a couple of posters from a resturant down the road. Jan : where did you met J Z ? kevin

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Sunny Murray
by Manolis 29 Apr '04

29 Apr '04

Efrén del Valle: <<I remember seeing Sunny Murray two years ago and I thought he wouldn't be drumming for too long>> Ken Waxman: <<Precisely. When I saw Sunny Murray play with Sabir Mateen a few months ago, he seemed as full of the old fire and excitement that he had in thr 1960s as he ever did. Sometimes a person recovers>> I was lucky to see Sunny Murray with Henry Grimes and David Murray about a month ago at the Bimhuis, and he looked absolutely great. His playing was excellent. Indeed full of fire. One of the greates drummers. manolis

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clusone/beach boys
by Julian 29 Apr '04

29 Apr '04

Heya, The other day someone told me they had heard of an album of Beach Boys covers done by the Clusone Trio (or members thereof, possibly with some other people), he wasn't really sure of any details... anyone know what album he's referring to? Julian.

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Zorn/Ranaldo Amsterdam show
by dutch rage 29 Apr '04

29 Apr '04

> From: "Collision Palace" <collisionpalace(a)yahoo.com> > To: collisionpalace(a)yahoo.com > Subject: May 1 invite / Vlucht article > Date: Thu, 29 Apr 2004 10:06:18 -0400 > > Hi! > > Saturday night we're playing the world premiere of > All > Work and No Play... by Lee Ranaldo of Sonic Youth, > and > John Zorn's Cobra, followed by DJ KODI afterparty. > Details/line-up at the bottom of this article, > courtesy of the good people at Vlucht Magazine. Hope > to see you! > > [please notify us if you're receiving multiple > messages, thanks.] > > ---------------------- > > Vlucht Magazine, April 2004 > text: Francisco Gonzalez > photos: Nesrine Khodr > www.vluchtmagazine.nl > > Collision Palaces Nathan Fuhr > > SERIOUSLY PLAYING > > I wrote Cobra to make beautiful music. I quit doing > it because it makes monsters out of people. John > Zorn > to Nathan Fuhr, NYC 3/99 > > I met Nathan Fuhr by chance at an OT301 > Kraakgeluiden > night. He is the leader of Collision Palace, a large > collective of musicians (and dancers too on > occasion) > from a real mix of stylistic backgrounds, who > specialize in the exploration of different > improvisation languages. He has played bass in Cobra > with Zorn himself in New York, before moving to > Europe > and instigating Collision Palace (an apparently > democratic endeavor, as he admits to not being keen > on > the name of the band, but was out-voted!). I > attended > some of their rehearsals before seeing them live at > the Bimhuis and at OT301. Nathan is the Artistic > Director and Conductor of the ensemble, but to my > eyes > he is much more a performer himself. His way of > gathering the band members energy and > redistributing > it back via specific signals and movements has more > to > do with body expression and dance than with simply > prompting (Zorns term for the DJ-like director of > Cobra). This is not free or even interpretive > improvisation; the visceral clarity and physicality > of > his directing almost seem to declare war on the > well-run territory of improv sans language, which is > not to say that he does not balance such command > with > moments of making himself fluid or invisible, > trusting > players own commands, letting the music just > breathe, > or even sharing laughter (with people on and off the > stage). Upon my observation of energy as a core > aspect > of the work, his face lit-up, because although CP is > playing via different preconceived improvisation > languages (as well Fred Frith, Pauline Oliveros, > Frederic Rzewski, Lee Ranaldo of Sonic Youth, or > local > composer Alison Isadora), you can tell Nathan is > slowly developing his own language, and it is > definitely through the concept of energy. > > When I asked him to describe a CP concert in one > sentence, he replied without hesitation: We take > risks, brew synergy, and go for blood (or Zen in the > case of Oliveros or Isadora!) and try to have as > much > fun as possible along the way. > > 1 May 2004, 21.30 til late - CP plays Cobra and a > Lee > Ranaldo world premiere at OCCII, Amstelveenseweg > 134, > Amsterdam. 5 Euro before 22.30, 7 thereafter. With > afterparty by DJ KODI (Nathalie Bruys). > > Collision Palace (including live drum n bass band > Suspicious White Powder!) > > Marcos Baggiani - drums > Barbara Gene - voice/trouble > Lucho Enriquez - guitar > Felicity Provan - trumpet > Petre Radu Scafaru - woodwinds > Valdi Kolli - double bass > Mark van Tongeren - kaosspad/objects/voice > Barb Hamilton - trombone > Luis Diaz - percussion > Jay McMahon - bari sax > Phillip Zwirchmayr - drums > Nikolai Onken - guitar > Wiljam Nybacka - bass guitar > > Nathan Fuhr, prompter > > _________________________________________________________________ > Is your PC infected? Get a FREE online computer > virus scan from McAfee® > Security. > http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963 > __________________________________ Do you Yahoo!? Win a $20,000 Career Makeover at Yahoo! HotJobs http://hotjobs.sweepstakes.yahoo.com/careermakeover

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Favor request: Zorn's favorite ethnic recordings
by K. Scott Handley 29 Apr '04

29 Apr '04

Hello all: Could anyone who has issue 7.2 of the magazine RESONANCE (not the style and pop culture glossy, but rather the older LMC publication focusing on new music, improvisation, etc) please forward to the list the favorite "ethnic" (hmmm...their term...) recordings of John Zorn and (if you're feeling really generous) the other respondants to the issue's survey: David Toop, Evan Parker, Viv Dogan Corringham, Steve Beresford, Clive Bell, Robert Reigle, Robert Wyatt, Pat Thomas. I don't have my issue anywhere near my side of North America right now and I don't know anyone with one. I think it would be good list discussion fodder, perhaps....? Bestestest and advance thanks, -----s __________________________________ Do you Yahoo!? Win a $20,000 Career Makeover at Yahoo! HotJobs http://hotjobs.sweepstakes.yahoo.com/careermakeover

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Fantomas (was RE: Elvin Jones)
by Arthur Gadney 29 Apr '04

29 Apr '04

>Thanks to the Zorn-lister from Atlanta/Georgia(?) who mentioned checking >out FANTOMAS. Caught them at the Fillmore last week, and their set is >bad-ass!! How is the new songs they play, from the comming fourth CD? >Melt Banana opened up for them, and they totally shocked it! They "shocked it"?? _________________________________________________________________ >From must-see cities to the best beaches, plan a getaway with the Spring Travel Guide! http://special.msn.com/local/springtravel.armx

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RE: elvin jones
by Kurt Gottschalk 29 Apr '04

29 Apr '04

hi - sad to be sure, but if that's the way he wants to spend his days, where's the problem? your $20? i think you can hazard a bit of a guess by the age of a performer. and i'm not sure it's his wife propping him up, or at least didn't see anything suggesting that. jones isn't one of my favorite drummers, but i'll certainly always value his part in the coltrane quartet. and when i saw him last year with cecil taylor, he seemed on top of his game. if someone gives me a lifetime of good music, i'll gladly go to spend time with them even if they can't play it like they used to. kg np: the residents - demons dance alone dvd _________________________________________________________________ FREE pop-up blocking with the new MSN Toolbar get it now! http://toolbar.msn.com/go/onm00200415ave/direct/01/

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Re: Angus Maclise
by pm.carey＠utoronto.ca 29 Apr '04

29 Apr '04

* Efr?n del Valle <efrendv(a)yahoo.es>: >Would anyone care to recommend Angus Maclise stuff? Can't go wrong with, in this order: "The Invasion Of Thunderbolt Pagoda" (Siltbreeze, 1999) -- Great material from 1968-1972. "Brain Damage In Oklahoma City" (Siltbreeze, 2000) -- More from 1967-1970. These starters might lead you to: "Astral Collapse" (Quakebasket) -- More early material from NYC. "The Cloud Doctrine: selected tapes by Angus MacLise" 2CD (Sub Rosa) -- 1963-1976: Proto-Velvets, electronics pieces, spoken word. -P NP: Ears ringing from last night's SUPERB Einstürzende Neubauten gig!

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Jack Smith/Angus Maclise
by Efrén del Valle 28 Apr '04

28 Apr '04

Hi, Yesterday I saw a couple of Jack Smith cds from Table of the Elements, if I'm not wrong, but I hesitated. I read somewhere that they're spoken word recordings made by Tony Conrad. Is that right? Are they any good? Also, would anyone care to recommend Angus Maclise stuff? Thanks a lot in advance. Best, EfrÃ©n del Valle n.p: Musics and Musicians of the World "Kurdish Music" (Unesco) ______________________________________________________________________ Correo Yahoo! - 6MB, mÃ¡s protecciÃ³n contra el spam Â¡Gratis! http://correo.yahoo.es

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