Hi! I just found this at aquariusrecords.org and it looks very cool. ANy comments... Cheers. CHERRY, DON Orient (BYG / Get Back) 2lp 21.00 I (Andee) had to push really hard for this to be record of the week as we seldom make LPs records of the week, since so many folks out there don't have record players (shame on you!!), but this is easily one of the most amazing records I have ever heard. We knew about this record but had never actually -heard- it (and rumour is that there is a cd version under a different title, but it supposedly sounds terrible) until now, with this new vinyl reissue. And we were just blown away. We were convinced that this could be the jazz record to cure Jim of his I-Hate-Jazz attitude (we'll let you know what happened with that -- umm, nope - Jim). A gorgeous double lp in an amazing sleeve, depicting a little ant on the yolk of a big fried egg! Quite striking. Recorded in 1971, 'Orient' features 2 separate live performances with Cherry in two different trios, one with Han Bennink (drums, percussion, accordian, vocals) and Mocqui (tamboura) and the other with Johnny Diani (bass) and Okay Tamiz (drums, percussion). The track 'Orient' which takes up all of side one and half of side two, is the real gem here (although all four tracks are spectacular). 'Orient' starts off with minor key piano and subtle percussion, with mumbled, chant-like vocals, slowly building, rumbling clattery percussion, not all that different from what No Neck Blues Band seems to be working towards. Ten minutes in, the track explodes into a hyper-rhythmic free-jazz frenzy with wailing trumpet and completely mad silverware-drawer-down-the-steps drumming from Bennink. The chanting vocals return, this time, much higher in the mix turning it into a musical tug of war between a somber spiritual and a crazed drum circle free-for-all. The drums prevail, beating out a tribal rhythm, with drum kit and tamboura weaving a rich rhythmic framework, that slowly winds down to dark and dreamy melancholy piano and huge gong swells, with occasional percussive clatter in the background. Suddenly the trio slips into a classic jazz groove that is perfect, but also perfectly out of place. No need to worry, as the groove quickly dissipates into a free jazz supernova of squealing horns and chaotic drumming. Track two, named for Cherry's son, starts with loping and meandering, deep dark beats, with owl-ish flutes and ghost-like horns. Some percussive clatter and an almost Roland Kirk-like breathing/singing whips up a frenzied fervor over throbbing bass, skittery percussion and wild piano (at this point it's necessary to point out the fact that Cherry is handling piano/trumpet/flute single handedly!). The trio soon click into an almost Santana-ish groove with Cherry's soaring vocals following the piano. The track winds down with Cherry going crazy on BOTH the trumpet AND the piano! Track three 'Togetherness' displays some truly breathtaking free-jazz interplay from Cherry and drummer Okay Tamiz. Cherry alternates between pocket trumpet and flute, playing complicated and unlikey melodies over the thick pulsing bass and frenzied percussion (drum kit, but also bells and shakers and gongs!) eventually finishing off with more of that Santana-ish groove and wild, free vocals! The final track, 'Si Ta Ra Ma' is the weirdest of the bunch, again reminding us sonically of No Neck and other of the more modern drone/clatter ensembles. Guttural vocalisations that vacillate from droning almost-throat singing to what sounds like speaking in tongues, with muted horn sputter, droning low-end trumpet buzz, clapping and sorrowful chanting vocals. Over the course of the last ten minutes, the vocals gradually fade into the mix as the percussion (steel drums?) build and build while Cherry solos dreamily and mournfully until the end of the track. Amazing and essential and totally timeless. Reason enough to get your sorry ass a turntable!!!! _________________________________________________________________ Join the world’s largest e-mail service with MSN Hotmail. http://www.hotmail.com