someone said that this box was better as an academic study than a musical listening. although i am a huge fan of '70s miles, i'd have to agree. guitar fans may find the most to like about this: two takes and two inserts for "willie nelson," including the part used for "yesternow" -- all featuring sonny sharrock. and then two versions with mclaughlin. mclaughlin is a very strong presence throughout. five parts of "go ahead john" -- blessedly, his solo that showed up on "big fun" has removed the fader (left to right) and fly-in-a-jar effects. and his blues playing on "archie moore" is terrific -- like nothing i've ever heard from him before. an unreleased version of "duran" also finds mclaughlin delightful -- "that's some raunchy shit, john" says miles at the end. an unreleased version of "honky tonk" is of interest. and the 23 minutes of free jam on two versions of "the mask" feature grossman, corea, jarrett, hancock, mclaughlin, holland, dejohnette and airto -- of interest, since some of these cats where going between free and fusion at the time. so not counting the much improved sound of the original "jack johnson" album, you could easily find room on one CD for the highlights. imho the rest is for somebody really tripping out on minutae and how the peices sounded before teo put them together. twice all the way through to pluck out the highlights was more than enough for me. there's a good track-by-track, blow-by-blow by rod sibley at allaboutjazz.com, if the site is up again. martin np. sex mob -- dime store grind ... featuring roswell rudd and several other guests. the best sex mob yet. moaning, greasy. electric slide trumpet sounds great. wonderful arranging and duke-ish use of individual voices, both in solos and ensembles. zorn-meets-wynton with funk, perhaps, but for all of the familiar elements i've never heard anything quite like it.
I would agree that it does get a bit tedious on some of the sections with repetitive tracks, though it does play like a really long jam with different solos. It gets old, nonetheless, despite Dave Holland's valiant efforts to mix up and embellish the bass vamp. Each track is interesting (I haven't found an obvious dud in the bunch) in its own right, however. Skipping around is a good idea. This makes for a more enjoyable, less academic experience. I have the entire box ripped to my computer so I can skip around at will and create different play lists; it's better than listening to tracks in sequence on the actual CDs. I enjoyed your tripping out on minutiae comment... New Sex Mob sounds fascinating...I think I will have to jump on that. Zach
On Sun, 2003-10-05 at 18:58, mwisckol@ocregister.com wrote:
someone said that this box was better as an academic study than a musical listening. although i am a huge fan of '70s miles, i'd have to agree.
My immediate reaction to the box (as well as to the "In a Silent Way" box) is that it shows us how important what Teo Macero did with the tracks was to the result. I've enjoyed the box, but, yeah, the finished tracks please me nuch more than the source material. I'm excited, though, to have them. And since I've never been a big fan of the live tracks on "Live/Evil", I'm psyched to have the Hermeto Pascoal tracks all together. I haven't heard of a single-disc sampler from this, so I may make my own for in-store play. On Friday night, I put on the finished "Jack Johnson" tracks. I kid you not: people were dancing in the aisle, looking wide-eyed up at the speakers, and rushing over and asking "What *is* this?!" (However, none of them bought the box since it was out of their budgets.) I'm guessing that Sony will release a rerererereremastered single disc of "Jack Johnson" soon, which we should play to death and sell like crazy. BTW, in the booklet, some tracks are referred to as "takes" and some as "inserts". What's the difference between these? And is there any plan for a box of "In the Corner" and the remaining bits of "Get Up with It"?
participants (3)
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Joseph Zitt -
mwisckol@ocregister.com -
Zachary Steiner