Unfortunately, I wouldn't recommend this if your primary interest is in Muir's playing. The bootleg quality of the tape makes it hard to hear, and/or differentiate the percussion. Cross, Wetton and Fripp, however are very audible and proceed to tear it up. -nathan --- Steve Smith <ssmith36@sprynet.com> wrote:
For those fewish progheads who've been interested in the archival recordings that have been offered by the King Crimson Collectors' Club on a subscribers-only basis, you might be interested to hear that the club has been at least temporarily suspended for a reorganization, and that until further notice - possibly indefinitely - the Collectors' Club CDs are available for all to purchase via the DGM website (www.disciplineglobalmobile.com). This includes the brand new release, 'Live at the Zoom Club, 1972,' the very first performance by the lineup that included free percussionist Jamie Muir. The sound is only fair by audiophile standards, but it's miles and miles above any boot I've ever heard - and it's two discs for the price of one, as well.
We return you to your regularly scheduled broadcast...
Steve Smith ssmith36@sprynet.com NP - What We Live, "Especially the Traveller Tomorrow," 'Especially the Traveller Tomorrow' (Metalanguage)
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