Fan/FES
by > chromasoom audio visuele communicatie >
28 May '04
28 May '04
Hey,
Fantomas in Brussels yesterday was excellent, great sound in the venue
(Ancienne Belgique). Before them, Flat Earth Society played a loud set, they
are Patton's new Belgian friends!
Jan
I have a question ! Which version did they use for Terry Gilliam's Movie
by the same Name ?? I love it for sure and wonder if it is available on
DVD? Thanx, Stu
"Andy Newcombe" <an012h3422(a)blueyonder.co.uk>
Sent by: To: <zorn-list(a)mailman.xmission.com>
zorn-list-bounces+boyerst=kellyservices.com(a)mailman.x cc:
mission.com Subject: Re: Sliiiightly off topic: Brazil (The song)
05/27/2004 02:44 PM
How about Les Paul and Mary Ford.......
----- Original Message -----
From: "Gullasch Baronen" <theclosethipster(a)hotmail.com>
To: <zorn-list(a)mailman.xmission.com>
Sent: Thursday, May 27, 2004 6:43 PM
Subject: Sliiiightly off topic: Brazil (The song)
> Just listening to the recent Cornelius album and wondered: What's the
best
> version of the tune "Brazil"? Any suggestions?
>
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For everyone who can watch French music channel Mezzo! On June 23th. at
22.50. and 25th. at 23.50. they will show Electric Masada- Nancy Jazz
Pulsation. I heard this show was great so hopefully I'll try to put it on a
dvd.
By the way did anyone see the performance of Fantomas, yesterday night in
Paradiso. I don't remember hearing music so loud, I had a terrible headache
whole day, but I guess this is what you get with such beautiful performace.
o.p. Aziza Mustafa Zadeh-"Dance of Fire"
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Hello,
Could anybody share a comment on the recent Ennio Morricone CD reissue with
the scores for "A Gun For Ringo", "The Return of Ringo" & "Death Rides a
Horse"? As far as I remember, I've only heard a few tracks from "DRAH" which
were excellent, but is the whole disc worth picking up?
Jonas
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Atelos is a reallly good imprint with a handful of books, most of which are
available from Small Press Distribution or even Amazon.com. Website is at
http://www.atelos.org/titles.htm.
I particularly enjoy the books by Jalal Toufic and Fanny Howe.
>From: Tom Bowden <TBowden(a)urrea.org>
>To: "'zorn-list(a)mailman.xmission.com'" <zorn-list(a)mailman.xmission.com>
>Subject: Abercrombie's "Class Trip," Hips Road books, Billy Tipton
>Date: Wed, 26 May 2004 09:36:56 -0400
>
>I. I picked up a copy a couple of weeks ago, and it's rare for the disk to
>be off my CD-player ever since. I was familiar only with Abercrombie's name
>before I picked up this disk (on the strength of Joey Baron & Mark
>Feldman's
>appearance). Baron & Feldman's playing is impeccable. It's a pretty
>laid-back affair, but there are incandescent undertones to Baron's playing
>throughout as though, if called to do so, he could really blast out the
>rhythm--so that undertone lends a nice tension to the performance.
>Feldman--what can you say about Feldman other than appreciate and
>acknowledge his almost flawless sense of knowing what to play and when to
>give a song a sense of shape, drive, texture, and emotional balance. Good
>stuff.
>
>II. During the recent conversations about Zorn's Hips Road, nobody
>mentioned
>Atelos, so I'll take the liberty of quoting at length from the back of
>Lohren Green's "Poetical Dictionary," which is published by Atelos:
>
>"Atelos was founded in 1995 as a project of Hip's [sic!] Road and is
>devoted
>to publishing, under the sign of poetry, writing that challenges the
>conventional definitions of poetry, since such definitions have tended to
>isolate poetry from intellectual life, arrest its development, and curtail
>its impact.
>
>"All the works published as part of the Atelos project are commissioned
>specifically for it, and each is involved in some way with crossing
>tradtional genre boundaries, including for example, those that would
>separate theory from practice, poetry from prose, essay from drama, the
>visual image from the verbal, the literary form the non-literary, and so
>forth.
>
>"The Atelos project when complete will consist of 50 volumes.
>
>"The project directors and editors are Lyn Hejinian and Travis Ortiz. The
>director for text production and design is Travis Ortiz; the director for
>cover production and design is Ree Katrak."
>
>I won't list all the titles published so far--for that, write to Atelos, PO
>Box 5814, Berkeley, CA 94705-0814, or check out www.spdbooks.org, which
>distributes their titles. The book I have, "Poetical Dictionary," is #17 in
>the series (published in 2003), so it'll be awhile before they hit #50. For
>fans of avant-garde lit and collectors who seek everything Zorn-related,
>please note that the Atelos titles are limited to print runs of 500 (but
>minus the "limited edition" price tag--$12.95).
>
>III. I have two Billy Tipton Memorial Saxophone Quartet CDs, both highly
>recommended: "Box" and "Pollo d'Oro" (written and performed with the
>Estonian band Ne Zhdali), both of which, I believe, are out of print,
>although they *might* be available through Jessica Lurie's website. (It's
>been a couple of years since I last went there.) And, yes, Billy Tipton was
>a sax player out of Washington State who played in swing jazz bands.
>Apparently none of his ex-wives(!) or adopted sons knew Billy was a woman
>until her death, when a medical examiner (or funeral director) came to the
>mobile home s/he lived in to pick up the body, and broke the news to her
>boys.
>Tom
>
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I. I picked up a copy a couple of weeks ago, and it's rare for the disk to
be off my CD-player ever since. I was familiar only with Abercrombie's name
before I picked up this disk (on the strength of Joey Baron & Mark Feldman's
appearance). Baron & Feldman's playing is impeccable. It's a pretty
laid-back affair, but there are incandescent undertones to Baron's playing
throughout as though, if called to do so, he could really blast out the
rhythm--so that undertone lends a nice tension to the performance.
Feldman--what can you say about Feldman other than appreciate and
acknowledge his almost flawless sense of knowing what to play and when to
give a song a sense of shape, drive, texture, and emotional balance. Good
stuff.
II. During the recent conversations about Zorn's Hips Road, nobody mentioned
Atelos, so I'll take the liberty of quoting at length from the back of
Lohren Green's "Poetical Dictionary," which is published by Atelos:
"Atelos was founded in 1995 as a project of Hip's [sic!] Road and is devoted
to publishing, under the sign of poetry, writing that challenges the
conventional definitions of poetry, since such definitions have tended to
isolate poetry from intellectual life, arrest its development, and curtail
its impact.
"All the works published as part of the Atelos project are commissioned
specifically for it, and each is involved in some way with crossing
tradtional genre boundaries, including for example, those that would
separate theory from practice, poetry from prose, essay from drama, the
visual image from the verbal, the literary form the non-literary, and so
forth.
"The Atelos project when complete will consist of 50 volumes.
"The project directors and editors are Lyn Hejinian and Travis Ortiz. The
director for text production and design is Travis Ortiz; the director for
cover production and design is Ree Katrak."
I won't list all the titles published so far--for that, write to Atelos, PO
Box 5814, Berkeley, CA 94705-0814, or check out www.spdbooks.org, which
distributes their titles. The book I have, "Poetical Dictionary," is #17 in
the series (published in 2003), so it'll be awhile before they hit #50. For
fans of avant-garde lit and collectors who seek everything Zorn-related,
please note that the Atelos titles are limited to print runs of 500 (but
minus the "limited edition" price tag--$12.95).
III. I have two Billy Tipton Memorial Saxophone Quartet CDs, both highly
recommended: "Box" and "Pollo d'Oro" (written and performed with the
Estonian band Ne Zhdali), both of which, I believe, are out of print,
although they *might* be available through Jessica Lurie's website. (It's
been a couple of years since I last went there.) And, yes, Billy Tipton was
a sax player out of Washington State who played in swing jazz bands.
Apparently none of his ex-wives(!) or adopted sons knew Billy was a woman
until her death, when a medical examiner (or funeral director) came to the
mobile home s/he lived in to pick up the body, and broke the news to her
boys.
Tom
mwisckol(a)ocregister.com
>Subject: billy tipton?
>To: zorn-list(a)mailman.xmission.com
>Message-ID:
> <OFAD97EACD.270411BB-ON88256EA0.0004BB5B(a)notes.freedom.com>
>Content-Type: text/plain; charset=US-ASCII
>
>
>
>
>
>What was the name of that woman saxist who passed as a man? Seems to me
>there's a group from the Northwest named after her, something like the
>Billy Tipton Memorial Quartet?
>
>Thanks for your help.
>
>Martin
>
Yeah, it's Billy Tipton who performed in Spokane, Washington. Here's
a Web site:
<http://www-music.duke.edu/jazz_archive/artists/tipton.billy/01/>.
The quartet is now more often simply called the Tiptons & according
to Jessica Lurie's Web site <http://www.jessicalurie.com/>, they have
a fairly recent disc out.
--
Herb Levy
P O Box 9369
Fort Worth, TX 76147
herb(a)eskimo.com
Could someone please privately e-mail me a few tunes
from the new Electric Masada CD?
Please use:
theo.klaase(a)medtronic.com
Thanks in advance!
-Theo
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