Hello All, The official release date for this double cd is 4.3.02.The cat no is DVNT 23CD. Tracks included are 3am Eternal (Blue Danube) Once More (FT explores Satan) The Cranberries Zombie (Two Humps Not One), Sentinel (Nobel Prize Mix) System 7 Miracle (Full Long Orb Mix)etc etc. I have been lucky enough to get a promo of this and this is a brilliant cd. Oh and its in Stereo.... Sincere Regards Mark W.
some nice person posted 3 full lenght vcds on alt.binaries.vcd - "the white room movie", "waiting for the rights of wu" and another disk with a video collection. jim __________________________________________________ Do You Yahoo!? Send FREE Valentine eCards with Yahoo! Greetings! http://greetings.yahoo.com
hey jim, what are the subject lines? I see over 750,000 mesages, so I'm gonna need a little help. Or if somebody has these already, FTP them. and.. has anyone seen what they say is the white room? It's probably stadium house... -chromatest
--- Chromatest Pantsmaker <chromatest.pantsmaker@verizon.net> wrote:
hey jim, what are the subject lines? I see over 750,000 mesages, so I'm gonna need a little help. Or if somebody has these already, FTP them.
and.. has anyone seen what they say is the white room? It's probably stadium house...
-chromatest
_________________________________________
here are the subject lines anf the contents of the .nfo files or info files. you may want to do a filter for these in your news browser(i use easynews.com with download accelerator plus). jim ------------------------------------------------------ VCD-=The KLF : The White Room (The Movie)=- [01/48] - KLF - White Room Movie Info.txt (*/1) ------------------------------------------------------- First newbie post so be nice. -=The KLF - The White Room Movie (unreleased)=- OVERVIEW: After successfully creating VCDs from various avi files I decided to take on something more challenging, an mpg not in a compatible format. The subject I chose is a film I'd been itching to see on a proper tv - The KLF : White Room. Who are the KLF: A famous pop group from the late 80s/early 90s. Most of you will remember them from the song "3am Eternal" (ie: KLF! a-ha a-ha). They were also behind the hit "Doctorin the TARDIS." They were so much more than that but I won't bore you with those details. *** FILM DETAILS: In 1988 the KLF received a legal contract from an entity only known as Eternity. In it they were given the task of representing in some artistic form their journey to the White Room. On successful completion of this contract they would be given access to the "real" White Room. No indication as to what the White Room truly is was given. They chose to make a road movie. Pleased with the results of the film, The KLF planned on either a proper cinema release or a club tour in which they would perform the soundtrack live. The song "Kylie Said to Jason" from the planned soundtrack album was released as the lead off single and failed to go anywhere. The album was pulled and the film put on hold. Meanwhile their trance tracks were become quite popular at raves and so they completely reworked the soundtrack to what is currently known as the White Room album. Presented here is part of the unreleased White Room movie; more was intended to be shot but due to financial reasons it was never properly completed. Since there was space I've also included a number of related films: Track listin: 1 - White Room Promo Film - Short film using exceprts from the movie. A trailer of sorts. 2 - The White Room 3 - Kylie Said to Jason - the music video 4 - What Time is Love (Pure Trance Original) - Not directly related to the film but shot in the same style. *** OTHER DATA: http://www.stud.uni-hannover.de/~gander/www-klf-cx/k/faq.htm#4.003 for the KLF FAQ. The above link directly references the White Room Movie. *** Creation Details: The film is sourced from a high quality mpeg (45mins @ 651mb) taken directly from an early generation tape. Among other problems the mpeg was encoded at 320x240 and the audio at 192k. I was unable to convert the mpeg directly to a compatible file, so, using VirtualDub I converted the file to AVI, using IndioVideo 5.04 at 100% quality. Due to an audio synch error I had to extract the audio seperately. The audio, meanwhile, suffers from a great amount of hiss. I tried to clean it but was left with that metallic hazy sound during the silent parts, of which there are many. Being as there is so much hiss as to be distracting to begin with I compromised and went with a noise reduction level of 40%. I normally do 70. While this still created a metallic hiss I don't feel it's as bad as the original, or the original attempt at noise reduction. Both the wav audio and the avi video were converted back to VCD compatible formats and multiplexed back together with TMPG. I used Roxio EZCD5 to create the video cd. The additional videos included where left as is. *** Posting details: 41 RAR files, self extracting archive. Uncompressed. 6 PAR files, including the index. Enjoy, Otter ------------------------------------------------------- The KLF Video Collection VCD (part 1 of 3) - 01 of 21 - TheKLF_vcd.nfo (*/1) ------------------------------------------------------- ---------------------------- The KLF: The Video Collecion ---------------------------- format : VCD (ntsc) created with: nero 5.5.5.1 image format: cdrwin (bin/cue) 80 minute cd is required rar info : compression method = BEST volume size 20,000,000 bytes PAR files included compiled by : jimSTINKY a collection of KLF videos plus The White Room movie includes: 3 A.M Eternal Last Train To Trancentral 3 versions of What Time Is Love? Justified & Ancient (featuring tammy wynette) 2 promo clips for The White Room movie The White Room movie this collection was compiled from different sources on the internet for more info about The KLF: http://www.stud.uni-hannover.de/~gander/www-klf-cx/k/faq.htm info about the movie: (taken from http://www.stud.uni-hannover.de/~gander/www-klf-cx/k/faq.htm#4.003) Its a 50 minute ambient road movie with footage of Drummond and Cauty setting off from Trancentral on a quest to find the White Room, driving through London and Spain, to a soundtrack of pop-trance. It has been shown in public only once. The full story is rather interesting: As mentioned in 1.023, the KLF received weird mail from Illuminatus! fans after calling themselves the Justified Ancients of Mu Mu. Much of the mail was from obvious cranks and crackpots, but then in mid 1988, they received a very weird letter: a legal contract. The contract was with an organisation or individual calling themselves "Eternity". The wording of this contract was that of standard music business legal speak, but the terms discussed and the rights required and granted were of a far stranger kind. Whether The Contract was a very clever and intricate prank by a legal minded JAMS fan was of little concern to Drummond and Cauty. For them it was as good a marker as anything as to what direction their free style career should take next. Their solicitor (David Franks, played by himself in the film) advised that they should not put their names to legally binding agreements without first understanding all of the implications of doing so. He advised them not to sign the Contract. The KLF of course ignored him and signed the contract. In the first term of The Contract they, Drummond and Cauty, were required to make an artistic representation of themselves on a journey to a place called THE WHITE ROOM. The medium they chose to make this representation was up to them. Where or what THE WHITE ROOM was, was never clearly defined. Interpretation was left to their own creativity. The remuneration they are to receive on completion of this work of art was supposed to be access to THE "real" WHITE ROOM. Your guess is as good as anybody's. Initially Drummond and Cauty planned to stage a art exhibition where the journey and arrival at THE WHITE ROOM would be represented on canvas and exhibited; but driving down the Marylebone Road on a wet September afternoon in 1988 in their infamous U.S. Cop car, Cauty suggested, instead of doing the art exhibition they should make a film. The making of a "Road Movie" had always figured in their vague plans for the future. With money coming in from all over the place for their Timelords record maybe now was the time. Or at least they thought so. They contacted their friend and associate, the film director, Bill Butt and made plans. Six weeks later they were filming in the Sierra Nevada region of Spain, with a top class international crew (who had just finished working on an Indiana Jones film). But things started to go wrong immediately. The weather, guaranteed to be blue skies of epic proportions until well after Christmas, was low and drizzly. Some business deals crashed, losing the money that was earmarked to complete the film. When they viewed all of the uncut rushes that had been shot, they knew that they had just thrown away the best part of 250,000 ukpounds: Most of the footage was out-of-focus, or badly filmed. Of course if you talk to anybody who tries to make a film they will tell you of the catalogue of disasters that came between them and their reported triumphant premier. Drummond and Cauty had no experience of this. They just felt that the Gods were against them and got seriously depressed. They had meetings with their accountants to assess what the damage would be if they were to cut their losses and pull out then. Bill Butt persuaded them to see it through. By February 1989 when they had enough funds together for them to shoot the interior scenes and the London location shots, David Franks had become steadily more intrigued by all the implications of the various clauses of The Contract. Although The Contract was between The JAMS and Eternity, Eternity gave no address, Eternity left no room for negotiation. [Note in 'Justified and Ancient': "At 3am Eternity rang, said she knew What Time Is Love?"]. David Franks believed he had found a get out clause. Something that Drummond and Cauty would later call the LIBERATION LOOPHOLE. It was decided by Bill Butt and the other two that the signing of the contract and Franks' discovery of the LIBERATION LOOPHOLE should be dramatically reconstructed, filmed and respectively used at the beginning and the end of the film. The rest of the film was then shot, Drummond and Cauty recorded the soundtrack. Bill Butt and editor Rob Wright edited the film. It was only 52 minutes' long but it was BIG SCREEN and looked good. They planned either a proper cinema release or a club tour, with the KLF playing the soundtrack live for the second half of 1989. The White Room soundtrack LP was to be preceded by the release of 'Kylie Said To Jason', the video for which included scenes from the film. Additionally many of the scenes were included in a short promo for the film, with a soundtrack of Madrugana Eterna (club mix), which was shown on TV. Drummond and Cauty are shown leaving Trancentral, and driving through London, then driving through mainly desert country. Some memorable scenes include the JAMs-mobile covered in white dustwash, with the windscreen wipers clearing a space, Drummond combing his hair before sauntering down the road as if he was a traffic cop, and the dead eagle scene: Drummond had come across a beautiful but decomposing eagle at the side of the road, which nobody else would go near, as it stank. Drummond insisted on being filmed with it as he strode down a one track rail line, the significance of this at the time could not be argued. Finally the wheels of the JAMs-mobile stop in a snow drift, and the KLF climb upwards through the snow towards a huge radar dish, wherein they find the White Room. 'Kylie' was planned to be a big pop hit to promote the LP. It wasn't. The release of the LP was pulled. The What Time Is Love Story LP became JAMS LP 4 instead. A video for the pure trance What Time Is Love is sometimes shown on MTV. It consists of unedited footage from Sierra Nevada. Two shots of sheep in a field bookended a 3 minute shot of the JAMs-mobile gradually driving a couple of miles towards the camera across a barren plain. It's extremely tedious, and getting MTV to show this can be viewed as a prank, despite the fact they often do!. A slightly different version is also available on an compilation tape of Indie promos, but it is VERY rare. A combination of worries about the dramatic qualities of the film, and lack of commercial success caused huge doubts in Drummond and Cauty's minds. However the rapidly emerging rave and club success of their pure trance songs took their minds off the doubts. They played their premier live performance at the London Club HEAVEN on Monday the 31st of July. Later that evening they met a young down and out, claiming to be called Mickey McElwee. For the price of a meal he told them the most shit scary story the both of them had ever heard. Later they related the story to Bill Butt. It was agreed that it could make the basis of a plot for the film. The finished film "should" contain both an Inner and Outer film. The Inner film is the original one shot in late 1988 and early 1989. The Outer film contains the dramatically reconstructed events that according to Mickey McElwee, took place, unbeknown to Drummond and Cauty while The Inner film was being shot. There will also be, what we will call, a Third Strand which will consist of scenes plotting the tensions and predicaments that Drummond, Cauty and Butt experienced while attempting to make The Inner film. All three plots will intertwine with each other telling the one simple story. The story of Men out of their Depth. In The Inner film Drummond and Cauty play their alter egos KINGBOY D and ROCKMAN ROCK. In the outer film they play themselves. Bill Butt reckoned it would cost a further $1,000,000 to finish the film. They showed the Inner film to German investors and some sheep in Munich, (its one and only showing!), to try and persuade them to finance the film's completion. It appears they never raised the cash as the script was too weird. But when their pop career took off and they did make some money, it seems as though they dropped their plans to finish the film. A complete script is available in the ftp archive, containing the Outer, Inner and Third strands, as well as sets/locations/stage directions and lots of other really interesting info. URLs for it are either: 1. ftp.xmission.com /pub/lists/klf/whiteroom.scr 2. ftp://jumper.mcc.ac.uk/pub/ttl/KLF/Misc/whitroom-film.txt and HTML, follow the link from 3. http://jumper.mcc.ac.uk/~ttl/KLF/Misc An advert appeared in the NME in 1994, claiming to be copies of the whole film, but investigation has revealed this only to be the inner film. Thus several bootlegged copies of the inner film are around, and available from generous list members. The quality of all known copies is pretty good, considering they're 4th or 5th generation. Sound and visuals are quite clear and noise and interference don't detract from the film's content too much. There is no dialogue in this Inner Film, only the music. It is possible to hear much of the original White Room soundtrack, for example the original "Build a Fire" and "Go to Sleep". It is not known what happened to the original film. ------------------------------------------------------ -=The KLF : Waiting for the Rights of Mu=- [1/1] - The KLF - Waiting for the Rights of Mu.nfo (*/1) ------------------------------------------------------- ---------------------------- The KLF : Waiting for the Rights of Mu ---------------------------- format : VCD (ntsc) created with: nero 5.5.5.1 image format: cdrwin (bin/cue) rar info : compression method = NORMAL volume size 15,000,000 bytes 47 RAR volumes, self extracting 5 PAR files included compiled by : Otter This VCD compiles the KLF films: Waiting http://us.imdb.com/Title?0100898 (a 45 ambient film along the lines of the classic album Chill Out, tho with a harder edge.) The Rites of Mu (version 1) The Rites of Mu (version 2) This is NOT What the KLF is About (a short documentary film on the making of the Stadium House Trilogy) No, the title is not a typo. I was originally just going to do the Waiting film but remembered a rare cd which came out in 1997 which contained remixed soundtracks of both Waiting and The Rites of Mu called "Waiting for the Rights of Mu." The title probably being a play on words for Kopyright Liberation Front. Video quality varies. *** Other Data (from the KLF FAQ http://www.stud.uni-hannover.de/~gander/www-klf-cx/k/faq.htm) 'Waiting' (KLF VT007) a very rare 42-minute ambient video filmed on the Isle of Jura, was released in November 1990 and sold via mail order only, is now deleted and is PAL/VHS only. I doubt you'll ever find a copy. In it the KLF are filmed waiting for their equipment to arrive, recording the sounds of nature (birds, surf etc.) and then re- broadcasting the sounds back at the ocean, along with some techno. Sheep feature quite prominently. It was filmed on the estate on Jura belonging to an old school pal of Drummond's and is considered by many list members to be "quite boring". [But Jamm!n loves it :)] *** What were the Rites Of Mu? Apparently the KLF disliked the constant attention they got from the dance and pop music worlds: in the form of requests for PA's, remixes etc., and the constant questions they got asked. Indeed they even refer to the 'four handmaidens of evil: WHO WHAT WHERE and WHY'. So as Drummond states in info sheet 13 they decided to hold the Rites of Mu to make "the questions we get asked and are unable to answer" redundant. Of course other reasons for the Rites are more probable: they wanted to hold a good party, they would get a lot of press coverage, and it would increase their enigma. Whatever the reason then, for the 1991 Summer Solstice, The KLF entertained a selection of music industry figures, journalists, etc. on Isle Of Jura in an event known as the Rites of Mu. The invitation said 'The KLF require your presence. You'll be transported to the lost continent Mu. Bring your passports'. Each guest was given a copy of the following statement as they travelled to Jura, by train, plane, car, bus, and boat on Friday 21st June: 'THE RITES OF MU. 'SINCE THAT FATEFUL DAY WHEN MAN LEFT BY THE EASTERN GATE, FRUIT STILL FRESH IN HIS BELLY, THOSE FOUR BEAUTIFUL HANDMAIDENS OF LUCIFER _WHY_, _WHAT_, _WHERE_ AND _WHEN_ HAVE LONG TEMPTED BUT NEVER QUENCHED HIS DISASTROUS THIRST FOR KNOWLEDGE. THE KLF HAVE INVITED YOU TO JOIN THEM IN CELEBRATING THE RITES OF MU THIS SUMMER SOLSTICE, DURING WHICH THE FALL OF MANKIND MAY BE REVERSED, RETURNING HIM TO THE GARDEN WHERE THE REST OF CREATION WAITS. 'THE MOST BEAUTIFUL, YET MOST EVIL, OF THE FOUR HANDMAIDENS IS_WHY_. SHE EVEN NOW MAY BE TEMPTING YOU TO ASK QUESTIONS, WHEN ANSWERS ARE NOT ONLY NOT NEEDED BUT COULD NEVER BE GIVEN. SINCE CELEBRATING THE RITES OF MU FOUR SEASONS PAST, THE KLF'S MOMENT HAS COME; SHIMMERING AND DAZZLING LIKE THE HAUNTING BEAUTY OF AURORA'S RACE, IT IS DESTINED ONLY TO FADE. WHILE THE MOMENT LASTS THEIR STADIUM HOUSE TRILOGY REVERBERATES AROUND THE GLOBE, THE REQUESTS FOR LIVE SHOWS, INTERVIEWS, TV APPEARANCES, REMIXES, PROMOTIONAL TOURS AND COMMERCIAL ENDORSEMENTS HAVE SPEWED FORTH RELENTLESSLY FROM THEIR FAX MACHINE. '_WHY_, _WHAT_, _WHERE_ AND _WHEN_ HAVE BEEN VERY BUSY; THEIR SEDUCTION TECHNIQUES NEAR-PERFECT. THE KLF, WITH REGULAR FEET OF CLAY, HAVE WEAKENED AT TIMES AND HAVE PRETNEDED TO ANSWER THE UNANSWERABLE. THEY TOO HAVE TRIED TO UNDERSTAND INSTEAD OF ACCEPTING THE UNFOCUSABLE, BEAUTIFUL TRUTH OF THE MYSTERY THAT LIES AT THE HEART OF POP'S PASSING MOMENTS. 'AS WELL AS ASKING YOU TO ACCEPT THE CONTRADICTIONS OF THE ABOVE WE HOPE THAT YOU WILL GIVE YOURSELF FULLY TO THESE THREE DAYS, ACCEPTING WHATEVER THE ELEMENTS TIP OUR WAY; WHATEVER MILD PHYSICAL STRAINS MAY BE PLACED UPON OUR BODIES AND SAVOUR THE UNDERVALUED QUALITIES OF WAITING, AND MAYBE AFTER IT IS ALL OVER WE WILL UNDERSTAND THAT THERE IS FAR LESS TO UNDERSTAND THAN WE EVER KNEW.' The guests were welcomed from the ferry by Mu passport control officer Drummond in peaked cap and shades, who checked their passports and stamped them with a pyramid blaster stamp. They then allowed themselves to be dressed in yellow ceremonial robes, and led in a chanting procession by a white robed high priest of Mu with Horned God headpiece, over the moors to a bonfire beside a huge (20m?) wicker man, arms raised with weapons poised, head looking up to the sky. The four angels of Mu, in white dresses, with flower head-bands, rose from the sea, and joined the celebrants. The high priest addressed the crowd in 'a tongue that no longer exists, at least not in this world'. What did the KLF have in store, or was it the Justified Ancients Of Mu Mu controlling the KLF? As the ceremony reached its climax at midnight on the longest day, it was still light. The priest encouraged the guests to direct their psychic energy towards the wicker man, chanting 'Burn Burn Burn' and the idol burst into flames with many explosions!!! What lay ahead was 'enlightenment ... or madness'. After the ceremony was over the guests were treated to a huge party. The next day is unrecorded but judging by the statement it involved savouring the undervalued qualities of waiting. However they spent the time, by Sunday 23rd of June, the KLF had transported the guests to the Liverpool Festival of Comedy, where, hooded, they joined them on stage for an accapella rendition of Justified And Ancient as Bill and Jimmy handed out ice creams from an ice-cream van which they had borrowed. The total cost of the weekend was supposed to be around 70,000 ukpounds. But for what? The event was filmed by Bill Butt, as were all the KLF's public appearances, and edited for promotional use only. A Promo video of 5x2 min episodes was circulated in July 91. The soundtrack music is largely dark, sinister, and evil, often punctuated by sudden outbursts of the industrial 'woooooo!' sound from 'It's Grim Up North'. A narration by Scott Piering (their record plugger) proved that he couldn't act. Each episode begins with the closing scene of the previous. Part I - The Bonker (the passports to sunset) Part II - The Construction (sunset to procession) Part III - The Initiation (procession to angels of Mu) Part IV - The Offering (angels to high priest chanting) Part V - The Burning (high priest to burning) By sacrificing the wicker idol, somehow the KLF have reversed the fall of mankind! The film ends intriguingly with 'America 1992 - the celebration continues'. Did they intend to have a Rites Of Mu in the US in 1992? Or is this just a reference to the America promotional campaign. A new 1x7 min version appeared on 'The Work' promo video at the end of 1991, with the opening credits removed from each episode. There were rumours that it was to be screened on Channel 4 in the UK, or on MTV Europe, at some point that winter, but it wasn't screened until after the retiral, on the shortest day 1992, on MTV Europe, with a re-recorded soundtrack and new narration as the 1x7 min version. On the 26th of August 94 another (new?) version was shown at the NME film season in a triple bill with the Beatles 'Magical Mystery Tour' and Echo and the Bunnymen's 'Shine So Hard' perhaps this version makes more of the mystery tour aspect. *** What is 'Waiting for the Rites of Mu'? How can I get a copy? (the cd not the video) As mentioned, WftRoM was first spotted on an upcoming-releases list for an online record store in May 1997. Since then it appeared first on more on-line record shop release lists (eg. www.sirencd.com and www.cdeurope.com) , then on UK release lists and has now started showing up on the computers of UK chains, HMV, Virgin and others (Ask them to look under Kopyright Liberation Front for a listing) The Greman label, Echo Beach are behind the release. Shellshock say that floating release date is currently 3rd October, but know little more. A website for Echo Beach (http://www.dunzwolff.de/users/echobeach/ebhome.html last updated in May) says that they are putting together a series of "Classics", each limited ot 3,333 copies, and it it probable that "Waiting for the Rites of Mu" is part of this. Contact details are given.
From Shellshock Distribution (Tel: 0181 800 8110, Fax: 0181 800 8140, E-Mail info@shellshock.co.uk):
TECHNO/ELECTRONICA ALBUMS 26/8/97 Kopyright Liberation Front (KLF) 'Waiting for the Rites of Mu'CD (ECHO BEACH) EB013 Barcode 4015698410921 "Waiting" is a 70 minute impression of the Kopyright Liberation Front's infamous experiences on the Isle of Jura, off the West coast of Scotland. A magnificent "soundtrack" of the happenings on this significant island. Musically, it's mainly dark, sinister ambience punctualted by sudden outbursts of the familiar chill-out "woooooooo" sound (it says here) etc. The press release goes on to describe the release as "the most beautiful, yet most evil, first comedy-ambient-fairy tale on earth, a worldwide limited edition of 3333 copies." Another list member has heard from Blast First that: "Waiting for the Rites of Mu is a TOP SECRET release. No one is supposed to know about it till October when it will come out. Apparently the release will be big, but it's limited numbers (as we already knew). I got the impression that the guy at Blast First was kinda annoyed that us lot on the internet already know about the release. Apparently it has been completed yet - so thats why there aren't any real details about what is on the album. I guess this means that it is a legit release. The guy in the shop did ask if it was actually by Bill and Jimmy or someone else putting a collection together, but no answer was given." Sister Ray (Berwick Street, London W1) say the Cd does exist and is not a bootleg. It is being put together by Jimmy Cauty and someone who is not Bill (they believe Bill&Jim had a bust up over this), but they know nothing of any other solo projects. This could, of course, be idle speculation. ------------------------------------------------- ______ __________________________________________________ Do You Yahoo!? Send FREE Valentine eCards with Yahoo! Greetings! http://greetings.yahoo.com
I have the white room on my ftp...for that matter, I have nearly all the KLF videos. RMStringer _________________________________________________ Warning: You are no longer who you And tomorrow is yesterday. In the event of an emergency, Do not become alarmed. Move Quickly to the Nearest exit!!! :-) -----Original Message----- From: orb-admin@mailman.xmission.com [mailto:orb-admin@mailman.xmission.com]On Behalf Of Jim Chambers Sent: Sunday, February 10, 2002 3:05 PM To: orb@mailman.xmission.com Subject: Re: [Orb] 3 klf vcds --- Chromatest Pantsmaker <chromatest.pantsmaker@verizon.net> wrote:
hey jim, what are the subject lines? I see over 750,000 mesages, so I'm gonna need a little help. Or if somebody has these already, FTP them.
and.. has anyone seen what they say is the white room? It's probably stadium house...
-chromatest
_________________________________________
here are the subject lines anf the contents of the .nfo files or info files. you may want to do a filter for these in your news browser(i use easynews.com with download accelerator plus). jim ------------------------------------------------------ VCD-=The KLF : The White Room (The Movie)=- [01/48] - KLF - White Room Movie Info.txt (*/1) ------------------------------------------------------- First newbie post so be nice. -=The KLF - The White Room Movie (unreleased)=- OVERVIEW: After successfully creating VCDs from various avi files I decided to take on something more challenging, an mpg not in a compatible format. The subject I chose is a film I'd been itching to see on a proper tv - The KLF : White Room. Who are the KLF: A famous pop group from the late 80s/early 90s. Most of you will remember them from the song "3am Eternal" (ie: KLF! a-ha a-ha). They were also behind the hit "Doctorin the TARDIS." They were so much more than that but I won't bore you with those details. *** FILM DETAILS: In 1988 the KLF received a legal contract from an entity only known as Eternity. In it they were given the task of representing in some artistic form their journey to the White Room. On successful completion of this contract they would be given access to the "real" White Room. No indication as to what the White Room truly is was given. They chose to make a road movie. Pleased with the results of the film, The KLF planned on either a proper cinema release or a club tour in which they would perform the soundtrack live. The song "Kylie Said to Jason" from the planned soundtrack album was released as the lead off single and failed to go anywhere. The album was pulled and the film put on hold. Meanwhile their trance tracks were become quite popular at raves and so they completely reworked the soundtrack to what is currently known as the White Room album. Presented here is part of the unreleased White Room movie; more was intended to be shot but due to financial reasons it was never properly completed. Since there was space I've also included a number of related films: Track listin: 1 - White Room Promo Film - Short film using exceprts from the movie. A trailer of sorts. 2 - The White Room 3 - Kylie Said to Jason - the music video 4 - What Time is Love (Pure Trance Original) - Not directly related to the film but shot in the same style. *** OTHER DATA: http://www.stud.uni-hannover.de/~gander/www-klf-cx/k/faq.htm#4.003 for the KLF FAQ. The above link directly references the White Room Movie. *** Creation Details: The film is sourced from a high quality mpeg (45mins @ 651mb) taken directly from an early generation tape. Among other problems the mpeg was encoded at 320x240 and the audio at 192k. I was unable to convert the mpeg directly to a compatible file, so, using VirtualDub I converted the file to AVI, using IndioVideo 5.04 at 100% quality. Due to an audio synch error I had to extract the audio seperately. The audio, meanwhile, suffers from a great amount of hiss. I tried to clean it but was left with that metallic hazy sound during the silent parts, of which there are many. Being as there is so much hiss as to be distracting to begin with I compromised and went with a noise reduction level of 40%. I normally do 70. While this still created a metallic hiss I don't feel it's as bad as the original, or the original attempt at noise reduction. Both the wav audio and the avi video were converted back to VCD compatible formats and multiplexed back together with TMPG. I used Roxio EZCD5 to create the video cd. The additional videos included where left as is. *** Posting details: 41 RAR files, self extracting archive. Uncompressed. 6 PAR files, including the index. Enjoy, Otter ------------------------------------------------------- The KLF Video Collection VCD (part 1 of 3) - 01 of 21 - TheKLF_vcd.nfo (*/1) ------------------------------------------------------- ---------------------------- The KLF: The Video Collecion ---------------------------- format : VCD (ntsc) created with: nero 5.5.5.1 image format: cdrwin (bin/cue) 80 minute cd is required rar info : compression method = BEST volume size 20,000,000 bytes PAR files included compiled by : jimSTINKY a collection of KLF videos plus The White Room movie includes: 3 A.M Eternal Last Train To Trancentral 3 versions of What Time Is Love? Justified & Ancient (featuring tammy wynette) 2 promo clips for The White Room movie The White Room movie this collection was compiled from different sources on the internet for more info about The KLF: http://www.stud.uni-hannover.de/~gander/www-klf-cx/k/faq.htm info about the movie: (taken from http://www.stud.uni-hannover.de/~gander/www-klf-cx/k/faq.htm#4.003) Its a 50 minute ambient road movie with footage of Drummond and Cauty setting off from Trancentral on a quest to find the White Room, driving through London and Spain, to a soundtrack of pop-trance. It has been shown in public only once. The full story is rather interesting: As mentioned in 1.023, the KLF received weird mail from Illuminatus! fans after calling themselves the Justified Ancients of Mu Mu. Much of the mail was from obvious cranks and crackpots, but then in mid 1988, they received a very weird letter: a legal contract. The contract was with an organisation or individual calling themselves "Eternity". The wording of this contract was that of standard music business legal speak, but the terms discussed and the rights required and granted were of a far stranger kind. Whether The Contract was a very clever and intricate prank by a legal minded JAMS fan was of little concern to Drummond and Cauty. For them it was as good a marker as anything as to what direction their free style career should take next. Their solicitor (David Franks, played by himself in the film) advised that they should not put their names to legally binding agreements without first understanding all of the implications of doing so. He advised them not to sign the Contract. The KLF of course ignored him and signed the contract. In the first term of The Contract they, Drummond and Cauty, were required to make an artistic representation of themselves on a journey to a place called THE WHITE ROOM. The medium they chose to make this representation was up to them. Where or what THE WHITE ROOM was, was never clearly defined. Interpretation was left to their own creativity. The remuneration they are to receive on completion of this work of art was supposed to be access to THE "real" WHITE ROOM. Your guess is as good as anybody's. Initially Drummond and Cauty planned to stage a art exhibition where the journey and arrival at THE WHITE ROOM would be represented on canvas and exhibited; but driving down the Marylebone Road on a wet September afternoon in 1988 in their infamous U.S. Cop car, Cauty suggested, instead of doing the art exhibition they should make a film. The making of a "Road Movie" had always figured in their vague plans for the future. With money coming in from all over the place for their Timelords record maybe now was the time. Or at least they thought so. They contacted their friend and associate, the film director, Bill Butt and made plans. Six weeks later they were filming in the Sierra Nevada region of Spain, with a top class international crew (who had just finished working on an Indiana Jones film). But things started to go wrong immediately. The weather, guaranteed to be blue skies of epic proportions until well after Christmas, was low and drizzly. Some business deals crashed, losing the money that was earmarked to complete the film. When they viewed all of the uncut rushes that had been shot, they knew that they had just thrown away the best part of 250,000 ukpounds: Most of the footage was out-of-focus, or badly filmed. Of course if you talk to anybody who tries to make a film they will tell you of the catalogue of disasters that came between them and their reported triumphant premier. Drummond and Cauty had no experience of this. They just felt that the Gods were against them and got seriously depressed. They had meetings with their accountants to assess what the damage would be if they were to cut their losses and pull out then. Bill Butt persuaded them to see it through. By February 1989 when they had enough funds together for them to shoot the interior scenes and the London location shots, David Franks had become steadily more intrigued by all the implications of the various clauses of The Contract. Although The Contract was between The JAMS and Eternity, Eternity gave no address, Eternity left no room for negotiation. [Note in 'Justified and Ancient': "At 3am Eternity rang, said she knew What Time Is Love?"]. David Franks believed he had found a get out clause. Something that Drummond and Cauty would later call the LIBERATION LOOPHOLE. It was decided by Bill Butt and the other two that the signing of the contract and Franks' discovery of the LIBERATION LOOPHOLE should be dramatically reconstructed, filmed and respectively used at the beginning and the end of the film. The rest of the film was then shot, Drummond and Cauty recorded the soundtrack. Bill Butt and editor Rob Wright edited the film. It was only 52 minutes' long but it was BIG SCREEN and looked good. They planned either a proper cinema release or a club tour, with the KLF playing the soundtrack live for the second half of 1989. The White Room soundtrack LP was to be preceded by the release of 'Kylie Said To Jason', the video for which included scenes from the film. Additionally many of the scenes were included in a short promo for the film, with a soundtrack of Madrugana Eterna (club mix), which was shown on TV. Drummond and Cauty are shown leaving Trancentral, and driving through London, then driving through mainly desert country. Some memorable scenes include the JAMs-mobile covered in white dustwash, with the windscreen wipers clearing a space, Drummond combing his hair before sauntering down the road as if he was a traffic cop, and the dead eagle scene: Drummond had come across a beautiful but decomposing eagle at the side of the road, which nobody else would go near, as it stank. Drummond insisted on being filmed with it as he strode down a one track rail line, the significance of this at the time could not be argued. Finally the wheels of the JAMs-mobile stop in a snow drift, and the KLF climb upwards through the snow towards a huge radar dish, wherein they find the White Room. 'Kylie' was planned to be a big pop hit to promote the LP. It wasn't. The release of the LP was pulled. The What Time Is Love Story LP became JAMS LP 4 instead. A video for the pure trance What Time Is Love is sometimes shown on MTV. It consists of unedited footage from Sierra Nevada. Two shots of sheep in a field bookended a 3 minute shot of the JAMs-mobile gradually driving a couple of miles towards the camera across a barren plain. It's extremely tedious, and getting MTV to show this can be viewed as a prank, despite the fact they often do!. A slightly different version is also available on an compilation tape of Indie promos, but it is VERY rare. A combination of worries about the dramatic qualities of the film, and lack of commercial success caused huge doubts in Drummond and Cauty's minds. However the rapidly emerging rave and club success of their pure trance songs took their minds off the doubts. They played their premier live performance at the London Club HEAVEN on Monday the 31st of July. Later that evening they met a young down and out, claiming to be called Mickey McElwee. For the price of a meal he told them the most shit scary story the both of them had ever heard. Later they related the story to Bill Butt. It was agreed that it could make the basis of a plot for the film. The finished film "should" contain both an Inner and Outer film. The Inner film is the original one shot in late 1988 and early 1989. The Outer film contains the dramatically reconstructed events that according to Mickey McElwee, took place, unbeknown to Drummond and Cauty while The Inner film was being shot. There will also be, what we will call, a Third Strand which will consist of scenes plotting the tensions and predicaments that Drummond, Cauty and Butt experienced while attempting to make The Inner film. All three plots will intertwine with each other telling the one simple story. The story of Men out of their Depth. In The Inner film Drummond and Cauty play their alter egos KINGBOY D and ROCKMAN ROCK. In the outer film they play themselves. Bill Butt reckoned it would cost a further $1,000,000 to finish the film. They showed the Inner film to German investors and some sheep in Munich, (its one and only showing!), to try and persuade them to finance the film's completion. It appears they never raised the cash as the script was too weird. But when their pop career took off and they did make some money, it seems as though they dropped their plans to finish the film. A complete script is available in the ftp archive, containing the Outer, Inner and Third strands, as well as sets/locations/stage directions and lots of other really interesting info. URLs for it are either: 1. ftp.xmission.com /pub/lists/klf/whiteroom.scr 2. ftp://jumper.mcc.ac.uk/pub/ttl/KLF/Misc/whitroom-film.txt and HTML, follow the link from 3. http://jumper.mcc.ac.uk/~ttl/KLF/Misc An advert appeared in the NME in 1994, claiming to be copies of the whole film, but investigation has revealed this only to be the inner film. Thus several bootlegged copies of the inner film are around, and available from generous list members. The quality of all known copies is pretty good, considering they're 4th or 5th generation. Sound and visuals are quite clear and noise and interference don't detract from the film's content too much. There is no dialogue in this Inner Film, only the music. It is possible to hear much of the original White Room soundtrack, for example the original "Build a Fire" and "Go to Sleep". It is not known what happened to the original film. ------------------------------------------------------ -=The KLF : Waiting for the Rights of Mu=- [1/1] - The KLF - Waiting for the Rights of Mu.nfo (*/1) ------------------------------------------------------- ---------------------------- The KLF : Waiting for the Rights of Mu ---------------------------- format : VCD (ntsc) created with: nero 5.5.5.1 image format: cdrwin (bin/cue) rar info : compression method = NORMAL volume size 15,000,000 bytes 47 RAR volumes, self extracting 5 PAR files included compiled by : Otter This VCD compiles the KLF films: Waiting http://us.imdb.com/Title?0100898 (a 45 ambient film along the lines of the classic album Chill Out, tho with a harder edge.) The Rites of Mu (version 1) The Rites of Mu (version 2) This is NOT What the KLF is About (a short documentary film on the making of the Stadium House Trilogy) No, the title is not a typo. I was originally just going to do the Waiting film but remembered a rare cd which came out in 1997 which contained remixed soundtracks of both Waiting and The Rites of Mu called "Waiting for the Rights of Mu." The title probably being a play on words for Kopyright Liberation Front. Video quality varies. *** Other Data (from the KLF FAQ http://www.stud.uni-hannover.de/~gander/www-klf-cx/k/faq.htm) 'Waiting' (KLF VT007) a very rare 42-minute ambient video filmed on the Isle of Jura, was released in November 1990 and sold via mail order only, is now deleted and is PAL/VHS only. I doubt you'll ever find a copy. In it the KLF are filmed waiting for their equipment to arrive, recording the sounds of nature (birds, surf etc.) and then re- broadcasting the sounds back at the ocean, along with some techno. Sheep feature quite prominently. It was filmed on the estate on Jura belonging to an old school pal of Drummond's and is considered by many list members to be "quite boring". [But Jamm!n loves it :)] *** What were the Rites Of Mu? Apparently the KLF disliked the constant attention they got from the dance and pop music worlds: in the form of requests for PA's, remixes etc., and the constant questions they got asked. Indeed they even refer to the 'four handmaidens of evil: WHO WHAT WHERE and WHY'. So as Drummond states in info sheet 13 they decided to hold the Rites of Mu to make "the questions we get asked and are unable to answer" redundant. Of course other reasons for the Rites are more probable: they wanted to hold a good party, they would get a lot of press coverage, and it would increase their enigma. Whatever the reason then, for the 1991 Summer Solstice, The KLF entertained a selection of music industry figures, journalists, etc. on Isle Of Jura in an event known as the Rites of Mu. The invitation said 'The KLF require your presence. You'll be transported to the lost continent Mu. Bring your passports'. Each guest was given a copy of the following statement as they travelled to Jura, by train, plane, car, bus, and boat on Friday 21st June: 'THE RITES OF MU. 'SINCE THAT FATEFUL DAY WHEN MAN LEFT BY THE EASTERN GATE, FRUIT STILL FRESH IN HIS BELLY, THOSE FOUR BEAUTIFUL HANDMAIDENS OF LUCIFER _WHY_, _WHAT_, _WHERE_ AND _WHEN_ HAVE LONG TEMPTED BUT NEVER QUENCHED HIS DISASTROUS THIRST FOR KNOWLEDGE. THE KLF HAVE INVITED YOU TO JOIN THEM IN CELEBRATING THE RITES OF MU THIS SUMMER SOLSTICE, DURING WHICH THE FALL OF MANKIND MAY BE REVERSED, RETURNING HIM TO THE GARDEN WHERE THE REST OF CREATION WAITS. 'THE MOST BEAUTIFUL, YET MOST EVIL, OF THE FOUR HANDMAIDENS IS_WHY_. SHE EVEN NOW MAY BE TEMPTING YOU TO ASK QUESTIONS, WHEN ANSWERS ARE NOT ONLY NOT NEEDED BUT COULD NEVER BE GIVEN. SINCE CELEBRATING THE RITES OF MU FOUR SEASONS PAST, THE KLF'S MOMENT HAS COME; SHIMMERING AND DAZZLING LIKE THE HAUNTING BEAUTY OF AURORA'S RACE, IT IS DESTINED ONLY TO FADE. WHILE THE MOMENT LASTS THEIR STADIUM HOUSE TRILOGY REVERBERATES AROUND THE GLOBE, THE REQUESTS FOR LIVE SHOWS, INTERVIEWS, TV APPEARANCES, REMIXES, PROMOTIONAL TOURS AND COMMERCIAL ENDORSEMENTS HAVE SPEWED FORTH RELENTLESSLY FROM THEIR FAX MACHINE. '_WHY_, _WHAT_, _WHERE_ AND _WHEN_ HAVE BEEN VERY BUSY; THEIR SEDUCTION TECHNIQUES NEAR-PERFECT. THE KLF, WITH REGULAR FEET OF CLAY, HAVE WEAKENED AT TIMES AND HAVE PRETNEDED TO ANSWER THE UNANSWERABLE. THEY TOO HAVE TRIED TO UNDERSTAND INSTEAD OF ACCEPTING THE UNFOCUSABLE, BEAUTIFUL TRUTH OF THE MYSTERY THAT LIES AT THE HEART OF POP'S PASSING MOMENTS. 'AS WELL AS ASKING YOU TO ACCEPT THE CONTRADICTIONS OF THE ABOVE WE HOPE THAT YOU WILL GIVE YOURSELF FULLY TO THESE THREE DAYS, ACCEPTING WHATEVER THE ELEMENTS TIP OUR WAY; WHATEVER MILD PHYSICAL STRAINS MAY BE PLACED UPON OUR BODIES AND SAVOUR THE UNDERVALUED QUALITIES OF WAITING, AND MAYBE AFTER IT IS ALL OVER WE WILL UNDERSTAND THAT THERE IS FAR LESS TO UNDERSTAND THAN WE EVER KNEW.' The guests were welcomed from the ferry by Mu passport control officer Drummond in peaked cap and shades, who checked their passports and stamped them with a pyramid blaster stamp. They then allowed themselves to be dressed in yellow ceremonial robes, and led in a chanting procession by a white robed high priest of Mu with Horned God headpiece, over the moors to a bonfire beside a huge (20m?) wicker man, arms raised with weapons poised, head looking up to the sky. The four angels of Mu, in white dresses, with flower head-bands, rose from the sea, and joined the celebrants. The high priest addressed the crowd in 'a tongue that no longer exists, at least not in this world'. What did the KLF have in store, or was it the Justified Ancients Of Mu Mu controlling the KLF? As the ceremony reached its climax at midnight on the longest day, it was still light. The priest encouraged the guests to direct their psychic energy towards the wicker man, chanting 'Burn Burn Burn' and the idol burst into flames with many explosions!!! What lay ahead was 'enlightenment ... or madness'. After the ceremony was over the guests were treated to a huge party. The next day is unrecorded but judging by the statement it involved savouring the undervalued qualities of waiting. However they spent the time, by Sunday 23rd of June, the KLF had transported the guests to the Liverpool Festival of Comedy, where, hooded, they joined them on stage for an accapella rendition of Justified And Ancient as Bill and Jimmy handed out ice creams from an ice-cream van which they had borrowed. The total cost of the weekend was supposed to be around 70,000 ukpounds. But for what? The event was filmed by Bill Butt, as were all the KLF's public appearances, and edited for promotional use only. A Promo video of 5x2 min episodes was circulated in July 91. The soundtrack music is largely dark, sinister, and evil, often punctuated by sudden outbursts of the industrial 'woooooo!' sound from 'It's Grim Up North'. A narration by Scott Piering (their record plugger) proved that he couldn't act. Each episode begins with the closing scene of the previous. Part I - The Bonker (the passports to sunset) Part II - The Construction (sunset to procession) Part III - The Initiation (procession to angels of Mu) Part IV - The Offering (angels to high priest chanting) Part V - The Burning (high priest to burning) By sacrificing the wicker idol, somehow the KLF have reversed the fall of mankind! The film ends intriguingly with 'America 1992 - the celebration continues'. Did they intend to have a Rites Of Mu in the US in 1992? Or is this just a reference to the America promotional campaign. A new 1x7 min version appeared on 'The Work' promo video at the end of 1991, with the opening credits removed from each episode. There were rumours that it was to be screened on Channel 4 in the UK, or on MTV Europe, at some point that winter, but it wasn't screened until after the retiral, on the shortest day 1992, on MTV Europe, with a re-recorded soundtrack and new narration as the 1x7 min version. On the 26th of August 94 another (new?) version was shown at the NME film season in a triple bill with the Beatles 'Magical Mystery Tour' and Echo and the Bunnymen's 'Shine So Hard' perhaps this version makes more of the mystery tour aspect. *** What is 'Waiting for the Rites of Mu'? How can I get a copy? (the cd not the video) As mentioned, WftRoM was first spotted on an upcoming-releases list for an online record store in May 1997. Since then it appeared first on more on-line record shop release lists (eg. www.sirencd.com and www.cdeurope.com) , then on UK release lists and has now started showing up on the computers of UK chains, HMV, Virgin and others (Ask them to look under Kopyright Liberation Front for a listing) The Greman label, Echo Beach are behind the release. Shellshock say that floating release date is currently 3rd October, but know little more. A website for Echo Beach (http://www.dunzwolff.de/users/echobeach/ebhome.html last updated in May) says that they are putting together a series of "Classics", each limited ot 3,333 copies, and it it probable that "Waiting for the Rites of Mu" is part of this. Contact details are given.
From Shellshock Distribution (Tel: 0181 800 8110, Fax: 0181 800 8140, E-Mail info@shellshock.co.uk):
TECHNO/ELECTRONICA ALBUMS 26/8/97 Kopyright Liberation Front (KLF) 'Waiting for the Rites of Mu'CD (ECHO BEACH) EB013 Barcode 4015698410921 "Waiting" is a 70 minute impression of the Kopyright Liberation Front's infamous experiences on the Isle of Jura, off the West coast of Scotland. A magnificent "soundtrack" of the happenings on this significant island. Musically, it's mainly dark, sinister ambience punctualted by sudden outbursts of the familiar chill-out "woooooooo" sound (it says here) etc. The press release goes on to describe the release as "the most beautiful, yet most evil, first comedy-ambient-fairy tale on earth, a worldwide limited edition of 3333 copies." Another list member has heard from Blast First that: "Waiting for the Rites of Mu is a TOP SECRET release. No one is supposed to know about it till October when it will come out. Apparently the release will be big, but it's limited numbers (as we already knew). I got the impression that the guy at Blast First was kinda annoyed that us lot on the internet already know about the release. Apparently it has been completed yet - so thats why there aren't any real details about what is on the album. I guess this means that it is a legit release. The guy in the shop did ask if it was actually by Bill and Jimmy or someone else putting a collection together, but no answer was given." Sister Ray (Berwick Street, London W1) say the Cd does exist and is not a bootleg. It is being put together by Jimmy Cauty and someone who is not Bill (they believe Bill&Jim had a bust up over this), but they know nothing of any other solo projects. This could, of course, be idle speculation. ------------------------------------------------- ______ __________________________________________________ Do You Yahoo!? Send FREE Valentine eCards with Yahoo! Greetings! http://greetings.yahoo.com _______________________________________________ Orb mailing list Orb@mailman.xmission.com http://mailman.xmission.com/cgi-bin/mailman/listinfo/orb
here are the ones on my ftp. white room is 666mb/45 minutes. Volume in drive I is InI Volume Serial Number is 84A7-D327 Directory of I:\klf videos 02/10/2002 19:25 <DIR> . 02/10/2002 19:25 <DIR> .. 02/23/1999 00:00 31,508,444 2K Fuck the millenium.mpg 02/21/1999 00:00 220,553,168 2K LIVE AT THE BARBICAN FULL GIG.MPG 02/23/1999 00:00 26,906,582 3AM Eternal (Live at the Brit Awards).mpg 02/23/1999 00:00 28,374,998 3AM Eternal (Top of the pops 2).mpg 02/23/1999 00:00 32,151,522 3am eternal(Embankment version).mpg 02/23/1999 00:00 28,284,892 Doctorin' the tardis (Top of the pops).mpg 02/23/1999 00:00 22,482,908 Doctorin' the tardis.mpg 02/19/1999 00:00 30,582,788 It's grim up north (Top of the pops).mpg 02/19/1999 00:00 37,111,812 It's grim up north.mpg 02/19/1999 00:00 34,365,444 Justified and ancient (Top of the pops).mpg 03/01/1999 00:00 33,994,716 Justified and Ancient.mpg 02/19/1999 00:00 40,873,988 Kylie said to jason.mpg 02/24/1999 00:00 27,826,134 Last train to trancentral (Top Of The Pops).mpg 06/25/1999 00:00 68,521,948 THE RITES OF MU.MPG 02/27/1999 00:00 118,900,740 The Stadium House trilogy.mpg 04/28/2000 00:00 44,128,112 The_KLF--Live_at_Brit_Awards.mpg 05/07/2000 00:00 682,766,874 THE_WHITE_ROOM.MPG 02/23/1999 00:00 391,253,944 WAITING - THE ENTIRE VIDEO.MPG 03/01/1999 00:00 36,661,212 What time is love (Cornfield version).mpg 02/24/1999 00:00 20,731,868 What time is love (Top of the pops 1).mpg 02/22/1999 00:00 51,992,580 What time is love (White room version).mpg 02/19/1999 00:00 45,989,892 What time is Love America 92 Remix.mpg 02/19/1999 00:00 18,071,556 White room Promo clip.mpg 02/10/2002 19:25 0 x.txt 24 File(s) 2,074,036,122 bytes
-----Original Message----- From: orb-admin@mailman.xmission.com [mailto:orb-admin@mailman.xmission.com] On Behalf Of Chromatest Pantsmaker Sent: Sunday, February 10, 2002 15:48 To: orb@mailman.xmission.com Subject: Re: [Orb] 3 klf vcds
hey jim, what are the subject lines? I see over 750,000 mesages, so I'm gonna need a little help. Or if somebody has these already, FTP them.
and.. has anyone seen what they say is the white room? It's probably stadium house...
-chromatest
_______________________________________________ Orb mailing list Orb@mailman.xmission.com http://mailman.xmission.com/cgi-> bin/mailman/listinfo/orb
I have all of those on my site RMStringer _________________________________________________ Warning: You are no longer who you And tomorrow is yesterday. In the event of an emergency, Do not become alarmed. Move Quickly to the Nearest exit!!! :-) -----Original Message----- From: orb-admin@mailman.xmission.com [mailto:orb-admin@mailman.xmission.com]On Behalf Of Anthony Bryan Sent: Sunday, February 10, 2002 6:27 PM To: orb@mailman.xmission.com Subject: RE: [Orb] 3 klf vcds here are the ones on my ftp. white room is 666mb/45 minutes. Volume in drive I is InI Volume Serial Number is 84A7-D327 Directory of I:\klf videos 02/10/2002 19:25 <DIR> . 02/10/2002 19:25 <DIR> .. 02/23/1999 00:00 31,508,444 2K Fuck the millenium.mpg 02/21/1999 00:00 220,553,168 2K LIVE AT THE BARBICAN FULL GIG.MPG 02/23/1999 00:00 26,906,582 3AM Eternal (Live at the Brit Awards).mpg 02/23/1999 00:00 28,374,998 3AM Eternal (Top of the pops 2).mpg 02/23/1999 00:00 32,151,522 3am eternal(Embankment version).mpg 02/23/1999 00:00 28,284,892 Doctorin' the tardis (Top of the pops).mpg 02/23/1999 00:00 22,482,908 Doctorin' the tardis.mpg 02/19/1999 00:00 30,582,788 It's grim up north (Top of the pops).mpg 02/19/1999 00:00 37,111,812 It's grim up north.mpg 02/19/1999 00:00 34,365,444 Justified and ancient (Top of the pops).mpg 03/01/1999 00:00 33,994,716 Justified and Ancient.mpg 02/19/1999 00:00 40,873,988 Kylie said to jason.mpg 02/24/1999 00:00 27,826,134 Last train to trancentral (Top Of The Pops).mpg 06/25/1999 00:00 68,521,948 THE RITES OF MU.MPG 02/27/1999 00:00 118,900,740 The Stadium House trilogy.mpg 04/28/2000 00:00 44,128,112 The_KLF--Live_at_Brit_Awards.mpg 05/07/2000 00:00 682,766,874 THE_WHITE_ROOM.MPG 02/23/1999 00:00 391,253,944 WAITING - THE ENTIRE VIDEO.MPG 03/01/1999 00:00 36,661,212 What time is love (Cornfield version).mpg 02/24/1999 00:00 20,731,868 What time is love (Top of the pops 1).mpg 02/22/1999 00:00 51,992,580 What time is love (White room version).mpg 02/19/1999 00:00 45,989,892 What time is Love America 92 Remix.mpg 02/19/1999 00:00 18,071,556 White room Promo clip.mpg 02/10/2002 19:25 0 x.txt 24 File(s) 2,074,036,122 bytes
-----Original Message----- From: orb-admin@mailman.xmission.com [mailto:orb-admin@mailman.xmission.com] On Behalf Of Chromatest Pantsmaker Sent: Sunday, February 10, 2002 15:48 To: orb@mailman.xmission.com Subject: Re: [Orb] 3 klf vcds
hey jim, what are the subject lines? I see over 750,000 mesages, so I'm gonna need a little help. Or if somebody has these already, FTP them.
and.. has anyone seen what they say is the white room? It's probably stadium house...
-chromatest
_______________________________________________ Orb mailing list Orb@mailman.xmission.com http://mailman.xmission.com/cgi-> bin/mailman/listinfo/orb
_______________________________________________ Orb mailing list Orb@mailman.xmission.com http://mailman.xmission.com/cgi-bin/mailman/listinfo/orb
participants (5)
-
Anthony Bryan -
Chromatest Pantsmaker -
Jim Chambers -
Mark Weston -
RMStringer