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> Drummond is just a rich white spoiled brat who lives in the most
> fortunate place in the world to catch live music. He's got everything
> he needs at his fingertips and is too lazy to get off his ass and do
> anything relevant.
Years and years ago, if my memory serves me right, before the 2K gig and
after the money-burning, there was a reader's letter in Wire or in some other
mag (I can dig it up if there's interest), which used almost the very same
words about B+J: "very rich and bored men".
Although I still think that KLF _is_ the best band ever and ALL of their
stuff is golden, I could understand what the reader meant. I think I never
really got the point of the burning, the books, or Jimmy's one-off musical
projects. Sure it sounds like fun, but only for the chosen. I mean, I never
got the chance or money to go to the 2K gig, or any later prank. If I'd be
living in London, at least I had a clue of their references. But for the
usual fan anywhere else in the world...
Now, not only I _fully_ understand that writer's anger, but I feel the same.
Someone said actions speak louder than words, but for me, these actions are
less moving than that (abandoned???) book project with Zodiac.
The 17, or X$X or all that one-day projects MAY have some meaning in England,
but for me over here the joke is totally lost. Or worse: I feel that the joke
is on the audience and the participants, even worse: the former fans. It's
like we should ALWAYS pay attention if there's a chance to get them see again
in what they once did best: making music, I mean all this WAITING (lol), just
to fall flat on our faces again...again...and again! It's like some elitist
stuff: once the filmed trip to Jura (at least that was BEAUTIFUL), then these
arty-farty projects. You MUST be there to hear it, to participate, to...then
BOOM, it will be deleted. Just like their back catalogue. What next, Bill
buying up the fan's collections, just to destroy them? Come ON Bill, why did
You formed the JAMS/KLF in the first place? Is he REALLY that furious about
his former pop career? Or is it just an act? Who knows? Who cares???? Jeez.
What is available now to Average Joe is the books, the usual CD's and not
much else. No new music, no old music re-released, null, zilch, I mean f**k
nothing. It's OK, at least I can treasure my stuff, but it's always annoying
that nowadays more people know scooter than the KLF.
Seriously.
At least Jimmy did some music which can be re-listened, even if it's very far
from anything they've done together.
Now to the "content": Drummond DOES have some points, BUT what now?
Forming choirs or folk-bands, performing rave music? Deller once did that,
and he _did_ have some understandable references (miner bands, poverty,
etc.). Imagine your local choir singing WTIL, or Altern8 tracks, or your
local music teacher trying to play Autechre or Coil or Black Dog songs. F**k
no, these artist were relevant because at that time noone could re-create
their sounds. Thank God that there ARE recordings! Electronic music and
popular music relies heavily upon recordings. It's not like Beethoven or
Mozart. It depends on the equipment too. It's the sound of now, yet some
parts of it became classics and therefore sheet music. But still there's no
point stepping back those hundred steps and re-create. Even when there are a
zillion Elvis impersonators, noone will re-create his voice again.
> Recorded music is only over for Londoners and New Yorkers who can't
> afford rent, nevermind a CD, but there's so many people worldwide who
> still find excitement in buying an LP or a CD, listening to it at
> home, on their way to their shitty job,
...and there's always some interesting music which deserves to be bought.
That's the way to support the artist to keep doing what he does. That's why
we bought our KLF (and other) stuff. It may sound silly, but I still prefer
the CD over mp3. I love the 12's, the 7's and the CD's. Just the music, in
poor quality, no covers, no nothing, what's that? If it's important for one,
why not buy it.
> Drummond needs to get his head out of his ass and leave England before
> he claims to speak with ANY authority.
Exactly what I thought. Bill should get his act together and do something
relevant, or at least retire in style, not just trying to be relevant and put
others into the lights, then put the blame on them when his pranks don't
work. Let's face it, he'll always be remembered as a part of KLF, no matter
how hard he tries to be (or act like) a postmodern artist or a money-burning.
Think about it: even burning one million (or some sum like that) couldn't
erase the memories of their hits.
KLF was pop music, with hits, some veiled references, but You weren't filed
as "stupid" if You haven't got all their references instantly: the
music STILL made sense.
I think there are some other artist who suffer the same as Bill. Orb, Bjork,
FSOL and others. Once they made fun and interesting music. Now they became,
like, "Serious", and all the good stuff is gone, because they're
like...Serious Post-Modern Artists. And if the audience doesn't get it,
"they aren't intelligent enough". If that's the case, they can
count me out and continue on their ego trips up into their asses, I won't buy
it. I'd rather get some fresh and interesting music with proper lyrics and
music, with more subtle messages. If a joke must be told over and over again,
shoved down on the audience's throat and they STILL don't get it, it doesn't
mean that they aren't schooled enough.
There's STILL a fine line between stupid and clever, as that famous Spinal
Tap quote said.
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