- KLF - mailman.xmission.com

Sunday morning amusement......
by Ross Jarvis 24 Feb '13

24 Feb '13

Just did a bit of Ricardo da Force googling, and came up with this. Sure many of you have heard it but for those that haven't: http://www.youtube.com/watch?v=DTpXrAM_qPU It amused me no end.

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The White Room (again and again)
by Adam Stalker 18 Feb '13

18 Feb '13

Message: 3 Date: Sun, 17 Feb 2013 19:58:31 +0000 From: Andy Lee <andrewdavidlee(a)gmail.com> To: Tim Tim <gunsofmu(a)yahoo.co.uk>, "All bound for Mu-Mu Land." <klf(a)mailman.xmission.com> Subject: Re: [KLF] VHS - recaptured, restored, remembered. Message-ID: <CABcFTdt4aBLQ1M3Nd1v_jP4EtyK0uxFkBCDzt-TdpFvjVXJGdw(a)mail.gmail.com> Content-Type: text/plain; charset="iso-8859-1" I managed to upload the full White Room to YouTube http://youtu.be/4wngp8zou_M Usually I can't upload more than 15 mins. Enjoy or leach while you can Andy for godsake! how many times i will have to write this? it is 1991 VERSION OF FILM... 1989 VERSION HAS WTIL PURE TRANCE playing at the end also if you didn't notice for bout year http://www.youtube.com/watch?v=ZG3A0jebU0A in HD?

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VHS - recaptured, restored, remembered.
by Andy Lee 17 Feb '13

17 Feb '13

Over Christmas I was re-capturing my old VHS tapes and decided to re-grab the KLF stuff. Quite pleased with how The White Room turned out, the patchwork MPEG artefacts always bothered me on the old rip. I did run them through a cleanup / re-colour process but it just made them too vivid and cloudy. I decided to leave them dirty and desaturated. Fresh cover & tape scan included where I have them. I'm trying mega.co.nz as a file host because they don't limit file size. Let me know if they work *The White Room* [1989][The KLF][The White Room].mp4 (501.1 MB) https://mega.co.nz/#!GpRGmAgZ!C9yVOiXGYNc31M7IFd81w3AJQo4k1paCK8Hpzh1K3HM [1989][The KLF][The White Room].jpg (634 KB) https://mega.co.nz/#!q0ATxKxA!PSaq6BFW1u7Y7hF8pl-9owCWN8dA3TdnlnIjqdB0GPw [1989][The KLF][The White Room]A.jpg (177 KB) https://mega.co.nz/#!m0gCWQLB!HrcXE0XYmq2M2uJSNPGHK16zfr93hczD_T6I3BBCL4o [1989][The KLF][The White Room]B.jpg (340 KB) https://mega.co.nz/#!j4Y1yJjS!RTqijXGTLQHvFLjfpeaiuw9Lph58tUys9jb4LquPgeM *Waiting* [1990][The KLF][Waiting].mp4 (390.4 MB) https://mega.co.nz/#!bhIWSC6C!cnHpSDCVioZTdV3doVF2ICdcnXJsoEarMjduH66Ez2E [1990][The KLF][Waiting]A.jpg (1.1 MB) https://mega.co.nz/#!ngZXgZLZ!br3z4ydVFFuAsvzjRk-jcj-eKt4Gsjik2BEZo1z00BA [1990][The KLF][Waiting]B.jpg (372 KB) https://mega.co.nz/#!HtY1FbBR!QwHq-XBNbwJXdgltgcJKODjUpWlbdpJ3Hn8hSMyUPZA *Stadium House Trilogy* [1991][The KLF][Stadium House].mp4 (335.1 MB) https://mega.co.nz/#!6pwx1KoR!AM7VxUhcGmHBbPv0DKBtbiwlmNtjZcPS0OoWrlyn7-8 [1991][The KLF][Stadium House]A.jpg (893 KB) https://mega.co.nz/#!2xZ3AbBD!CPUIIRrMH6qSEzhwaxvoOxOEXYZmN2XluH7hRF2K-b4 [1991][The KLF][Stadium House]B.jpg (380 KB) https://mega.co.nz/#!ihwzmaiZ!GgBDMwgRBoiP5aV7pZNUYQqVF45TaxWat8yPDOXuACY Enjoy Andy

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Re: [KLF] 3AM Eternal Welcome to The Moon Mix 1989
by Adam Stalker 17 Feb '13

17 Feb '13

both versions are genuine (both steal Kraftwerk leitmotiv) albeit unfinished or less polished tracks by KLF same as 'Brooklyn, New York' we are sitting here discussing all over the same topics ;) it's not bad but I think we all need something more to happen. when we should try to persuade people who work with The KLF to speak up. Get in touch with Cress, stalk Mark 'Spike' Stent, meet Bill Butt etc. If I lived in UK I would do that. Persistence. Cauty or Drummond appearing somewhere? get there and wave a big sign THE CHILDREN OF MU ARE STILL WAITING. send them like 1000 of letters THE CHILDREN OF MU ARE STILL WAITING.

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Re: [KLF] 3AM Eternal Welcome to The Moon Mix 1989
by Jondoeclsm 16 Feb '13

16 Feb '13

There would be a recut for the main run. picture discs are made in a different way to regular records. A thin flyer heat resistant like the labels are put onto a thin central part, then clear vinyl parts added on top. If i remember correctly, 'orlake' were one of the only pressing plants which did picture discs. They pressed a lot of their records at Damont audio in Hayes. I would assume they may have done one or the other and thought... Actually this version has a better mixdown etc. And used that on whichever was pressed second. I.used to work down the road from Damont above the EMI pressing plant. Orlake also did colour vinyl. There was another plant i can't remember the name of correctly(acid ?) which later went bust and restarted as pr press. I hope one day my useless info will solve a mystery in the Klf back cat! At one stage i could tell the difference between plants by picking up the vinyl in my hands and flexing it.! Sent from Samsung Mobile Tim Tim <gunsofmu(a)yahoo.co.uk> wrote: Thanks for the insight on that, but how would that explain USA 4X A1 and USA 4X A2? A1 being the uncensored version on the pic disc and a few TP' and A2 being the regular 12" release being a minute shorter. Thats what made me think that Jams LP6 A1/B1 might be different version. From: John P <jondoeclsm(a)hotmail.co.uk> To: klf(a)mailman.xmission.com Sent: Saturday, 16 February 2013, 10:25 Subject: Re: [KLF] 3AM Eternal Welcome to The Moon Mix 1989 You can also grow new plates from the original laquer set. From: ruskprick(a)hotmail.com To: klf(a)mailman.xmission.com Date: Sat, 16 Feb 2013 07:35:58 +0000 Subject: Re: [KLF] 3AM Eternal Welcome to The Moon Mix 1989 The A2/B2 inscription in the run out groove has nothing to do with the catalogue number. It is just a pressing plate index number. I've made a few records myself so I might be able to give a little insight into the process. The first lacquer to be made is given the index A1 (for side A). If the test pressing proves to be satisfactory they go ahead with the production. However if there is something wrong, some minor glitch or something like that, they might have to make a new pressing plate, or even a new lacquer. That second lacquer is given the index number A2. Higher index numbers can also indicate that they have made more than one pressing plate, to be able to manufacture the record in more than one pressing machine (or even in more than one record plant), which is (was) a common practice with records that were expected to sell lots of copies. For example, the original pressings of Never Mind The Bollocks were made from loads of different pressing plates, but they did still contain the same tracks. http://www.philjens.plus.com/pistols/pistols/pistols_nmtb.htm > Message: 2 > Date: Fri, 15 Feb 2013 16:05:19 +0000 (GMT) > From: Tim Tim > To: "All bound for Mu-Mu Land." > Subject: Re: [KLF] 3AM Eternal Welcome to The Moon Mix 1989 > Message-ID: > > Content-Type: text/plain; charset="iso-8859-1" > > Maybe i'm barking up the wrong tree here or just barking! But with so many unreleased recordings kicking about > surely?there must have been some acetates pressed up. Towards the Trance LP, The White Room OST wasn't there > a TP rumoured to exist? 008T? 3x Acetates of 004M are known to exist. DS1? > It was common practise in the day to press up acetates brfore making a final decision to release?a record. > For example The White Room is Jams?LP6 A2/B2.?Were is A1/B1? Was it the Original white room ost or something else? > Or a more simple explanation maybe it just wasn't fit for release. > Either way?the 1st press of?Jams?lp6 has?never to my knowledge surfaced, and it could hold the answer to many?questions.? The A2/B2 inscription in the run out groove has nothing to do with the catalogue number. It is just a pressing plate index number. I've made a few records myself so I might be able to give a little insight into the process. The first lacquer to be made is given the index A1 (for side A). If the test pressing proves to be satisfactory they go ahead with the production. However if there is something wrong, some minor glitch or something like that, they might have to make a new pressing plate, or even a new lacquer. That second lacquer is given the index number A2. Higher index numbers can also indicate that they have made more than one pressing plate, to be able to manufacture the record in more than one pressing machine (or even in more than one record plant), which is (was) a common practice with records that were expected to sell lots of copies. For example, the original pressings of Never Mind The Bollocks were made from loads of different pressing plates, but they did still contain the same tracks. http://www.philjens.plus.com/pistols/pistols/pistols_nmtb.htm > Message: 2 > Date: Fri, 15 Feb 2013 16:05:19 +0000 (GMT) > From: Tim Tim <gunsofmu(a)yahoo.co.uk> > To: "All bound for Mu-Mu Land." <klf(a)mailman.xmission.com> > Subject: Re: [KLF] 3AM Eternal Welcome to The Moon Mix 1989 > Message-ID: > <1360944319.66072.YahooMailNeo(a)web171602.mail.ir2.yahoo.com> > Content-Type: text/plain; charset="iso-8859-1" > > Maybe i'm barking up the wrong tree here or just barking! But with so many unreleased recordings kicking about > surely?there must have been some acetates pressed up. Towards the Trance LP, The White Room OST wasn't there > a TP rumoured to exist? 008T? 3x Acetates of 004M are known to exist. DS1? > It was common practise in the day to press up acetates brfore making a final decision to release?a record. > For example The White Room is Jams?LP6 A2/B2.?Were is A1/B1? Was it the Original white room ost or something else? > Or a more simple explanation maybe it just wasn't fit for release. > Either way?the 1st press of?Jams?lp6 has?never to my knowledge surfaced, and it could hold the answer to many?questions.? _______________________________________________ KLF mailing list KLF(a)mailman.xmission.com http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf Report list abuse to list-abuse at studio-nibble.com _______________________________________________ KLF mailing list KLF(a)mailman.xmission.com http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf Report list abuse to list-abuse at studio-nibble.com

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Re: [KLF] 3AM Eternal Welcome to The Moon Mix 1989
by Peter Granstrom 16 Feb '13

16 Feb '13

The A2/B2 inscription in the run out groove has nothing to do with the catalogue number. It is just a pressing plate index number. I've made a few records myself so I might be able to give a little insight into the process. The first lacquer to be made is given the index A1 (for side A). If the test pressing proves to be satisfactory they go ahead with the production. However if there is something wrong, some minor glitch or something like that, they might have to make a new pressing plate, or even a new lacquer. That second lacquer is given the index number A2. Higher index numbers can also indicate that they have made more than one pressing plate, to be able to manufacture the record in more than one pressing machine (or even in more than one record plant), which is (was) a common practice with records that were expected to sell lots of copies. For example, the original pressings of Never Mind The Bollocks were made from loads of different pressing plates, but they did still contain the same tracks. http://www.philjens.plus.com/pistols/pistols/pistols_nmtb.htm > Message: 2 > Date: Fri, 15 Feb 2013 16:05:19 +0000 (GMT) > From: Tim Tim <gunsofmu(a)yahoo.co.uk> > To: "All bound for Mu-Mu Land." <klf(a)mailman.xmission.com> > Subject: Re: [KLF] 3AM Eternal Welcome to The Moon Mix 1989 > Message-ID: > <1360944319.66072.YahooMailNeo(a)web171602.mail.ir2.yahoo.com> > Content-Type: text/plain; charset="iso-8859-1" > > Maybe i'm barking up the wrong tree here or just barking! But with so many unreleased recordings kicking about > surely?there must have been some acetates pressed up. Towards the Trance LP, The White Room OST wasn't there > a TP rumoured to exist? 008T? 3x Acetates of 004M are known to exist. DS1? > It was common practise in the day to press up acetates brfore making a final decision to release?a record. > For example The White Room is Jams?LP6 A2/B2.?Were is A1/B1? Was it the Original white room ost or something else? > Or a more simple explanation maybe it just wasn't fit for release. > Either way?the 1st press of?Jams?lp6 has?never to my knowledge surfaced, and it could hold the answer to many?questions.?

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Re: [KLF] 3AM Eternal Welcome to The Moon Mix 1989 (Micah Stupak)
by Jack Sharp 16 Feb '13

16 Feb '13

Still worth becoming 'friends' of PVC - you may find some of these releases are still available. .............................. Wow?um, I've never heard of any of this stuff. Guess I miss out by not buying those PVC discs. :(

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Re: [KLF] 3AM Eternal Welcome to The Moon Mix 1989
by Adam Stalker 15 Feb '13

15 Feb '13

it's different. studio version maybe, kind of jam session. guys were getting ready for Helter Skelter performance? - A

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3AM Eternal Welcome to The Moon Mix 1989
by Antti Lavio 15 Feb '13

15 Feb '13

Welcome to the moon mix (from PVC) sounds quite different from the actual 3AM Pure trance version, but more like Orb Mummie don't. What's the story and timeline for 3AM and these versions? Any suggestions? And how does all Eternal Hum, BlueDanube remix etc fit here? -- anttil.

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The Valentines Day Playlist
by Ulrik Brandt 14 Feb '13

14 Feb '13

All You Need is LoveOne Love NationWhat Time is LoveThe Lovers SideLove TranceI Love Disco 2000Love at the Ganges or maybe just:Deep Shit !!! Ulrik

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